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Posts Tagged ‘polytheism’

Reflecting on Doki Doki Literature Club, Servitors, Egregores, and Vaettir

November 12, 2018 Leave a comment

My thoughts today are in great part being spurred on by the visual novel game Doki Doki Literature Club. If you have not played it, I heavily recommend doing so unless you are easily disturbed. It has content warnings in the startup of the game for a reason. A fair warning: from here on in I will probably be discussing spoilers. I heavily recommend you play the game before reading this post, since the guts of it came after watching Let’s Plays of this game.

Note: I began writing this months ago and it has sat in my Drafts folder for awhile, mostly finished. I finally got around to putting some finishing touches on it, and I may come back to this idea sometime later.

Read more…

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100 Years

November 11, 2018 Leave a comment

100 years since the signing of the Armistice.

100 years of silence and bells.

100 years since the end of World War 1.

The years that made our world what it is. The years that changed so much, that shaped so much. How to approach such a day?

With solemnity. With gratitude. With honoring. With remembering.

To the Warrior and Military Dead who sacrificed all they had to give.

To the Warriors and Military personnel who gave all they had to give.

To the families who never saw their loved ones again.

To the families that did.

To the lands that still bear countless scars of trenches and powder, artillery and countless bullets and the blood of all the Dead.

100 years and so many lives have passed that a great forgetting is coming over the nations.

We honor in remembering. In remembering the Dead live.

78. Cattle die, | and kinsmen die,
And so one dies one’s self;
One thing now | that never dies,
The fame of a dead man’s deeds.

Havamol, translated by Henry Adam Bellows

Some resources:

Dan Carlin’s Hardcore History: Blueprint for Armgageddon

Part I, Part II, Part III, Part IV, Part V, Part VI

BBC Four: The First World War

BBC 26 Part Documentary on World War 1

Thinking on Polytheism and Media

November 11, 2018 5 comments

I thought this would be a fun topic to explore as I’m working on finishing up the On Ritual Praxis series of posts.

So much of my thinking on media has been shaped by a key number of factors, including my own perspective as a polytheist, my consumption of and conversations around media with family and close friends throughout much of my life, the books Narrative Medicine and Coyote Medicine by Dr. Lewis Mehl-Madrona, and looking at various video bloggers such as Bob Chipman aka Moviebob or Lindsay Ellis on the role of media in modern life. I use the previous two video bloggers as jumping off points for a lot of thoughts on the very topic of this post because they give nuanced and comprehensive looks at the material they review, and both acknowledge biases they carry up front.

Media is a shared source of culture. It is the music, podcasts, and audio novels we listen to, the news, movies and shows we watch, the books, magazines, and papers we read, and so on. Rather than attach polytheism to an aesthetic, style, genre, etc, polytheist religions and their adherents embrace many Gods, and right along with this embraces many forms of media, and its attendant aesthetics and styles as well. Each kind of media we have the ability to engage with has the capacity to connect us, to enforce or renew our connections, to deepen our relationship with our polytheist religions, Holy Powers, and one another. It’s other edge is that it can do the opposite.

Right now my ears are filled with Flykt’s Forndom as I write on this phone. Much of my playlist is filled with works of similar music, including Wardruna, Heilung, Hagalaz’ Runedance, and Paleowolf. I lean to furs and leathers in my winter dress and t-shirts and shorts in the summer, usually with some kind of geek/nerd or religiously meanginful iconography on the shirts. Folk music and polytheist-oriented podcasts or Great Courses audibooks fill my ears most often. Among the shows I watch are the Marvel Netflix series, anime such as Princess Mononoke and Wolf’s Rain being among my favorites, and documentaries about history, religion, technology, and science. My wife recently turned me onto the English Heritage channel and the BBC series Tudor Monastery Farm on Youtube. I play video games as diverse as The Walking Dead, Civilization, Final Fantasy, and Battlefield. I am a long-time tabletop RPG player, DM, and storyteller.

Despite my various forms of engaging with modern media, as a polytheist I often find myself frustrated. Media’s modern incarnations are so often geared towards the marketing of lowest common denominator material that its overall contribution to the positive development of society has been, and will likely continue to be debated for a long time. Set that aside, and most of the media made is not made for polytheists and much of the media makes that quite clear up front. Modern media is part of culture, and any part of media has a hard time breaking away from the mindset in which it is based. Modern American media, as modern American culture, is so mired in a Protestant Christian mindset, arguably the most toxic elements of Calvinism and Puritanism being its largest holdovers, that it seeps into many space in which there are actual diversities of work taking place.

The last video game I remember playing in which a polytheist religion figured prominently in the plot was in Mass Effect 2, where one of the squad characters worships many Gods as a matter of course and his gods and relationship with them explored in a generally respectful manner. In many of the books that I read polytheism is simply part of the landscape, such as the Jim Butcher Dresden Files books, or American Gods. These two both come with their own caveats. In a funny twist Harry Dresden has interactions with many Gods, but in this he draws a distinction between his interactions with Them and with his friend, Michael Carpenter’s faith as a Catholic, in that Harry does not need to believe in these Gods. They just exist, and his jury is out on Carpenter’s Catholic God. Despite being surrounded by Gods, and in some cases having contractual relationships with different Gods and spirits, Dresden never commits to worshiping any. This is not a problem in and of itself, but Dresden never comments on any but a Native American medicine man/wizard character working with spirits in a relationship rather than transactional way. No one in the Dresden universe has ever to actually have been shown to worship Gods, despite how much They show up and have pull in many of the plotlines he is involved in.

American Gods subordinates the existence of Gods to living through Their worshipers. The central conceit of the story is that Gods are real and live, but their ability to live and affect reality is enabled through the minds of their worshipers, the memories their descendents carry, and through the offerings that the few who believe in Them give. Where Dresden is an agnostic, Shadow is wandering into a world full of Gods, both ancient and modern, blind. As an audience surrogate to start with, he is not bad. Gaiman could have done far, far worse. Shadow struggles with doubt and disbelief in ways familiar to many of us who worship Gods, and his path in the book is similar enough to how I began working with the Old Man that the first time I picked up the book my jaw dropped at some of the parallels.

As a polytheist my view is that both works suffer from positioning the Gods as real, but their worshipers as unreal or utterly absent. As neither Butcher or Gaiman seem to engage the Gods and Their worshipers as being real in their respective works the polytheist view is utterly lost to agnostic points of view embodied in Dresden and Shadow respectively. Are the Gods real in these works of fiction? The simple answer is “Yes”, and the more complicated answer is “Real in what sense?” Butcher’s Dresden universe seems to treat the Gods as real Beings with Their own motivations, some at loggerheads with each other and others in cooperation. His view of the Fae is that They have control and power over/with the forces of nature, and His view of Odin is that the Einherjar are real, and the Wild Hunt actually features in one of his books in a really cool way. The Gods do not lack agency, power, or ability to influence the world in his books. However, Butcher’s development of monotheist characters like Murphy or the Carpenter family without any development at any time of polytheist characers or families shows the operating mindset that Christianity and agnosticism are the default worldviews even with the massive amount of Gods and spirits sprawling through his books.

Gaiman does treat the Gods as real with Their own motivations, views, and conflicts. However, his central premise (Their existence relying on worship) robs Them of being understood in Their own terms. His New Gods, such as Media and Technical Boy, are counted as Gods as well, with sharp divides between Old and New, and the dynamics of these relationships are the lattice on which the plot is built. Yet, his treatment of America is that America is hostile to Gods, that They don’t really have a place here. The one time a Pagan is featured they do not recognize Ostara standing right in front of them, nor recognizes the meaning or impact of Her Day. Granted, when I read this part I grinned like a damn fool since I have heard almost the same thing come out of Pagans’ mouths word-for-word, so Gaiman’s strawperson here clearly isn’t built up out of whole cloth. However, at no point is there a contrast to this person, at no point is a worshiper who keeps good cultus brought forward.

For all that the Gods are treated as real in these stories, we polytheists are non-people in these stories. Despite this glaring flaw I do like American Gods and The Dresden Files quite a bit. It is unfortunate that both works have these flaws, not only because I enjoy these stories, but also that these two are front-runners of urban fantasy fiction. These two have set the tone for many of the urban fantasy series in existence now, with many taking far more liberties with the abilities of their various protagonists’ powers, and more liberties with the reality and abilities of the Gods. Where both Butcher and Gaiman in their works seem to have respect for the Gods even if both are agnostic in regards to Them, more urban fantasy fiction seems to use the Gods rather than have Them as part of the reality of the world their characters are in.

My issue is not with fantasy, urban or otherwise, but with the treatment of Gods as mere characters for plot advancement. It seems many authors do not think through the impact that having many Gods takes on a people, most egregious in fantasy settings. A basic example is a story with a forest God in it. If there is a God of the forest it should make an impact on how the local village would interact with the forest and its denizens, festivals, etc. If polytheism is the default for a fantasy world it should have impact on how characters think, act, fight, fuck, marry, work, worship, raise kids (if they do) and express themselves. Many forms of media, not just genres of writing, could use some healthy polytheist mindsets and attitudes not only in terms of worldbuilding, but focus of plot, worldview of characters, and so on.

This kind of critique carries into any creative media where writing or messaging is a key factor. I do not just want more representation in media of polytheism, I want good representations of polytheisms in media. Whether a work of fiction takes place in our world or another, media does impact how we are perceived and does impact how we ourselves can see ourselves. As the saying goes, “Representation matters.”

Yet, we also need to be careful of taking too much of ourselves from media. Most media is made to sell. That which isn’t are often labors of love, thankfully more being supported through platforms like Patreon, YouCaring, GoFundMe, and similar. To my mind these platforms are powerful ways polytheists can support one another without resorting to dumbing down our ways of thought or the messages we may be asked through our work to bring into the world. Certainly, Bob Chipman and Lindsey Ellis use Patreon as their primary source of income so they can do their work on Youtube. Jim and I’s first podcast, The Jaguar and the Owl, had its costs taken care of by our Patreon supporters.

If we support polytheists in their various ways of making media then our media has more reach and better ability to actually be done and make an impact. An artist will be able to fully commit to their art because they are able to focus on it. An artist only able to do their art part-time because they have bills to pay with a full-time job will have a harder time producing consistent quality work. If we want quality work, whether that is art whether digital or physical, leatherwork, woodwork, yarnwork, video, the written or spoken word, music, workshops, audiobooks, or podcasts, we need to support that work.

A starving artist is one concentrating on trying to get their next meal rather than writing their next book, painting their next painting, or knitting their next project. People suffer more than enough just with the work needed to get to making quality media. This attitude that suffering should accompany media is actively unhealthy and halting a great many people who could be putting themselves to working on something of quality.

It is not just the media we passively consume that we need to be mindful of. We also need to be aware of the stories we tell ourselves. When I play D&D, Shadowrun, or a White Wolf game, I run each setting as a polytheist with polytheist assumptions. As much as D&D has contributed to folks thinking about God purely in terms of functionality, i.e. this is a God of Healing, even D&D has gotten better over the years for expanding on and giving the gods of their worlds mythology for characters and players to dig into. A creator god of the elves in the Faerun setting, Correllion, has an active conflict with Gruumsh, the creator god of orcs. This plays out into gameplay, potentially between player characters (PCs) and certainly between PCs and non-player characters (NPCs). At least since the beginning of 3rd edition, gods in D&D have become more fleshed out. Granted, they are still boiled down in stat blocks, being “God of this” and “Domains for clerics are this” and “alignment is this”. For instance, in alignment Corellion and Gruumsh are chaotic good and chaotic evil respectively.

Being mindful of how we consume our media and how we portray gods through it, even fictional ones, can better portray what a powerful impact a polytheist mindset has on the denizens of a given world and in turn give better representation of a polytheist mindset and its impact to one’s players. What does this matter, though? Isn’t this just something we pass the time with? Sure, as with any media some of it can be mindless consumption, but what we are engaging with we are bringing. It does us good to think on the impact that such consumption and sharing media has on us. Roleplay especially is impactful because we are not passively engaged in someone else’s story. Truth be told, if we are actively reading we are not passively engaged in that, either. Humans roleplay and make stories all the time, so the stories we tell ourselves have impact. Far better we take in and engage with stories in which our voices are heard, understood, respected, and engaged with.

There’s a lot of intersection between polytheists and various media just looking at my own interests that I’ve written about here. Rather than keeping our Gods and our views to ourselves, I would see us expand the people our works touch. To this, I don’t mean boiling down our beliefs to something easily digestible to the lowest common denominator. I mean that whatever our creative interests or engagement with media we make conscious choices so our religions are part of them. Some of our views will be deeply challenging to dominant paradigms just on their own. Being polytheist in and of itself is transgressive because our identity is wrapped up with believing in and worshiping many Gods, Ancestors, and spirits.

I blog, I podcast, and on occasion I make music and Youtube videos. I recognize that for all the good I may do there I am, by and large, talking with my own people. Some media is just going to do that. There is nothing wrong with that. When it comes to developing and exploring ideas in/of/to our religions many of these conversations are only relevant when in dialogue with our fellow polytheists. Even so, I think polytheists could do with being more forthright in our exploration, engagement, and creation of media so that our religions, norms, communities, and we ourselves have more representation, say, and impact on the societies we live in.

There’s a few reasons for why I would like to see this happen. Practically, the polytheist communities are quite small compared to the American population. Yet, if folks can blow thousands of dollars on various media there is no reason I can see that we cannot or should not tap into that as well for our own purposes. Further, so long as we are not in control of our own messages others will be. Polytheists producing and disemminating our own media is part and parcel of wielding power and influence. We can change perspectives by actively engaging in the public spheres as polytheists. Engaging in this way can deepen dialogue, develop perspectives, and open channels of communication between our wider communities and with one another. Engaging with the wider sphere of our cultures through media of all kinds allows our views to be heard and allows for change to take place, great and small, whose course we help to directly influence.

Around the Grandfather Fire

September 11, 2018 1 comment

Around the Grandfather Fire is a podcast that James Stovall and I host that explores topics ranging from shamanism to animism, polytheism to interests we hold outside of them but relevant to our spiritual interests and lives.

So far we have four shows done with more to come. Because we are no longer limited by air time or topic we can dig into the meat of different ideas, issues, and views we discuss. It also gives us more time to really get into good conversation with our guests.

Around three years ago we were co-hosts on a podcast and live internet radio show called The Jaguar and the Owl. The format was restricted more or less to shamanism and related fields in we only had an hour in which to record and did it live for most of the last two years of our broadcasting. It was a good time. Over time, between the restrictions of time to record, the demands of life increasing, and the format itself becoming hard to work shows into, we eventually had to let go of the show. Since things have come back together and the fire was lit for us to sit around, Jim and I came back together and made the new podcast.

Around the Grandfather Fire allows us to expand our content in both time and depth, something we had talked about wistfully at varying times on our older show. The app we use also allows us to interact with our listeners and guests. With the Anchor app we are hosting the content on listeners can send us voice messages that we can then integrate into the show.

So, if you have thoughts you want to share with us or you want us to explore, questions you want to ask, or guests you want us to interview, use the Anchor app, or email Jim at James at thewanderingowl.com or I at my email Sarenth at gmail.com.

Places to find Around the Grandfather Fire:

Anchor

Facebook

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We can also be found on iTunes, Podcast Addict, and, of course, the Anchor app.

A Prayer of Praise to Holy Healers

July 29, 2018 2 comments

Hail Mengloth, Jotun Goddess whose hands heal and wisdom preserves health of body, mind, and soul!

Who knows the ways to knit flesh and bone

Who knows the ways to bring vitality and vigor

Who teaches those who listen in the holy arts of healing!

Whose work staunches the blood of wounds

Who guards the lines of the heart so all is kept free from infection

Whose skillful hands knit the skin and flesh that every wound may become a scar

Whose wisdom of herbs and medicine makes every illness become renewed vigor

Thank You for blessing the doctors, nurses, techs, and healers with wisdom, skill, care, and prudence!

Hail Mengloth!  Ves ðu heil!

 

Hail O Eir, Aesir Goddess of the healing hands!

O Wise Goddess who teaches the eager to learn how to heal!

O Battle Medic whose hands have tended the flesh from the bite of wood, bone, bronze, iron, steel, and powder!

O Careful One who brings the healing teams together in purpose!

Thank You! You have blessed the doctors, the nurses, the techs, the healers with care, caution, wisdom and skillful work!

Hail Eir! Ves ðu heil!

 

Io Asklepios, Divine Physician!

Io to the Son of Apollon and Koronis!

Io Kheiron’s Son!

O Wielder of the Serpent-Staff

Whose hands have healed holy and mortal flesh alike

Whose lessons have instructed the countless lines of doctors, nurses, techs, and all those who heal

Whose work has saved the lives of countless people

Whose wisdom has been preserved that the work and art of healing has continued

At Whose side stands Telesphorus that health and recovery are one in healing

Thank You for blessing the doctors, nurses, techs, and staff with knowledge, skill, care, and wisdom!

Io Asklepios! Khairete!

 

O Imhotep, Divine Physician

Whose words and works have blessed the world

In whose hands and heart Thoth worked good blessings

In whose mind and heart was brilliance and its blessings shared with every doctor and physician, every surgeon and assistant

O Wise Teacher, thank You, for Your lessons and writings that taught all who followed and read of You how to heal!

O Divine Physician, thank You, for your skill has blessed the harmed and sick with health and vigor!

O Divine Surgeon, thank You, for Your skill has delivered life from death!

O Supreme Magician, thank you, for Your Words and Works yet give wisdom, yet give insight, yet strive out sickness, and yet heal!

Em Hotep, Dua, Dua Neter en-ek O Imhotep!

Developing Polytheist Myths

July 10, 2018 18 comments

I love audiobooks, particularly The Great Courses series. They get my gears turning, and sometimes provide inspiration and fodder for ideas I explore here. In listening to Great Mythologies of the World, Chapter 2, I ran across an excellent statement that got me thinking on the role of myths in modern polytheism:

We tend to think of myths as springing fully formed into specific cultures, and most of us think of the ancient Greek myths, as well, Greek. But the Greeks drew heavily from their predecessors and neighbors just as later cultures, especially the Romans, would draw from them. Because of this it is best to think of mythologies as living entities, always on the move, shapeshifting as they pass from culture to culture.

This last sentence is especially important in the context of modern polytheism. It is not enough that we have good translations of our sources for the religions we are reviving. We need new myths to carry us, and those who come after us, forward. We can build on what is there, and I firmly believe we should. The Greeks certainly did not wrap up writing myths after Homer, Hesiod, or Orpheus wrote. There is no reason for us to, either.

What I am proposing is both incredibly powerful and dangerous. Powerful, because we are making deep ties with our Gods, Ancestors, and spirits, and likely tying these myths right into where we live as every ancient polytheist culture and tribe did. It is also incredibly dangerous because it can lead people and communities straight into territory where power playing, delusions, lies, and aggrandizement can wrench myth-making from its holy roots.

I firmly believe that consciously engaging in and acknowledging the making of myths is part and parcel of the future of polytheist religions. We know from following various Holy Powers and Their stories through history that sometimes They accrue stories through a wide variety of ways. Sometimes it is because They tell a poet to write down their stories. Other times a writer collects Their stories into a book. Other times They gain Their stories through absorbing or syncretizing with other Gods, Goddesses, Ancestors, and spirits, and/or each Others’ stories. Any time someone says “I had x encounter with y God and this is what happened” they are engaging in living myth-making. We should not shy away from any of these. We need to actively embrace all of these ways of engaging with, and developing our myths with our Gods, Ancestors, and spirits.

How do we embrace it? We engage in direct experience of the Holy Powers. We write down ours and others’ experiences. We embrace new experiences of our Gods, Ancestors, and spirits that are rooted in our communities, what lore we can trust, and engage the informed discernment available to us in our communities. We meet our Holy Powers where we are, and we go on pilgrimages when we are called. We involve our Holy Powers in our everyday lives, and acknowledge and thank and note when They come through for us, in ordinary and extraordinary ways. To do this, we need to develop better language across the board for doing that. To do this, we need to develop good discernment based in our communities, and not leave that responsibility up to academics unconnected to our communities. We need to be proactive in working to develop standards within our communities for what is accepted and what is rejected to become part of the mythologies.

I use the word gnosis to describe personal experience of the Gods, Ancestors, or spirits. I do not tend to use the term UPG or Unverified Personal Gnosis that frequents reconstructionist circles because the term is often used dismissively or insultingly, and I have never seen its opposite, VPG or Verified Personal Gnosis, used in online conversation. There is plenty of writing on what UPG is and virtually nothing on what is VPG. PCPG, or Peer Corroborated Personal Gnosis is a term I sometimes use to get it across to folks that many people, usually in separate communities, had similar experiences with a given Holy Power. A simple example of this is offering strawberries to Freya. It is something a lot of people have offered to Her well before seeing it written down, and it still surprises some folks who do run into their gnosis written down in books today. A year or two ago, either at MI Paganfest or ConVocation, I ran into a person who had no knowledge this was a generally-accepted understanding of Freya, and was shocked that people around her were nodding their heads and saying “Sounds right.”

My dear friend and Brother Jim Stovall uses a phrase that I hope is on the mind and lips of everyone interested in developing the mythology and our relationships with the Holy Powers: spiritual accounting. He laid out the idea of spiritual accounting in an episode of the Jaguar and the Owl. Jim likens spiritual accounting to a three-legged stool, with the first leg being what stories and myths are already present, and what source writings, archaeology, linguistics, mythology, anthropology, and other sciences has to tell us. The second leg is divination. The third leg is experience accounting. He has gone so far as to set up an Excel spreadsheet of experiences he has had with given Gods, Goddesses, Ancestors, and spirits for how reliable They are, what was asked, and what resulted. His discernment accounts for the understanding that spirits do lie, and we may misinterpret the meaning of a message, or it may be more or less deep than we understand it to be.

If we are to have spiritual accounting for our living mythology, then our first leg needs to first be grounded in what we do know. We need to understand what it is the lore, archaeology, and other academic fields we have available to us have to say, and what the limits of those fields are. We also need a solid foundation in our religion(s) and tradition(s) as they exist. With a basis in what has come before and is now, we can be discerning about what becomes part of the corpus of the myths we carry into the future.

The second leg, divination, requires expertise in the work. It requires the willingness to understand we may not have understood or reified our experiences accurately. A given experience may have just been for us. A given experience may need context we do not have yet, or inspiration for a poet, or another experience to tie it into the mythologies we have before us. Divination requires us to consider that what is most important is that we seek the answer and report what we find without flinching, whether it confirms or denies the entry of experiences into the corpus of myths.

The third leg, experience accounting, is to be honest, truthful, and unflinching in our assessment of our signal clarity with the Holy Powers. It is to be clear in what our understanding was at the time a message was received, how it was understood, and how it was accounted for. It is to engage in active discernment with the Holy Powers we worship, and realize that sometimes information is given to us not because it may be completely truthful, but useful. It is not as if our Gods, Goddesses, Ancestors, or vaettir are not given to subterfuge, lying, misleading, or misdirection. These are part of powerful mythologies, such as the Rescue of Idunna or Thor’s battle of riddles and wits with Alsvin. The point of experience accounting is to see where pitfalls in our communications lie, to see where the Holy Powers may not be honest or forthright with us, and to understand that what we experience and/or receive may give us many windows to understand what does become part of the corpus of myths.

When I use a term like corpus of myths, the image of a great weathered book might sping to mind. That belies the understanding that, until relatively recently in time, most understood their myths orally. It is not my intent that only the written word becomes part of a corpus of myths. Some parts of myths and the practices that come from them should never be written down, such as a myth involved in a secret initiation. Some parts may be useful to write down, as with the previous example, so that those who qualify for an initiation have to know the right phrase, deeper meaning of a piece of mythology, and/or have taken in a key lesson from a myth before approaching to be initiated. Some parts of myths should be as accessible as possible, such as Creation Stories, stories of the Gods, Ancestors, heroes, spirits, etc. that give insight into Them, lessons for us, and/or how we are to relate to Them.

Developing myths, even ones that seem to clash with each other or with the previous sources, may be seen in terms of how mythologies have unfolded in living polytheist cultures. There are many Creation Stories out there, and having more than one Creator God or Goddess has never fazed me. I have space for Odin and Ptah among the Creator Gods. I have space for the four Creation Stories of Kemet and the Creation Story detailed in the Völuspá. I also recognize in the same blow that I am dealing with stories delivered through a variety of hands. Rather than seeing many Creation Stories as wrong, or only one right and the rest mistaken, I see each Story expressing its truth, its understanding, its worldview of the Gods, Ancestors, and spirits.

None of the stories as academia has handed them to us have anything to do with the construction of our religions. We have had to do that ourselves. Academics not of our communities are first and foremost concerned with academia and what each story tells us, has to say, and informs us of, what each story may hint at, and where the limits are in relation to their field of study. What differs us significantly here is that we seek to understand cosmogeny and cosmology so we may understand and live well within the worldview given to us by the cosmogeny and cosmology. Through understanding that worldview well we seek to live in right relationship our Holy Powers.

Developing myths is a process of developing theology. Myths provides the basis to understanding what our Gods are, what They do, Their place in the cosmos, our relationships to and with Them, and what offerings may be accepted by Them. Myths tell us who are Ancestors are, who and what we relate to as Ancestors, what our place as mortal Beings are in the cosmos, what offerings the Ancestors may accept, and what our relationships with Them should look like. Myths shows to us who the spirits are, what our relationships with Them are, Their varied places in the cosmos, what our relationships are, and what offerings They may accept. Again, mythology is not just the Creation Stories.

Myths are found as much in small things as great. The small myths may detail what offerings a God likes, and perhaps why. Stories written down, stories passed down, folklore, and personal experiences all may be part of mythology. A myth may be entirely wrapped up with a locale, such as Dionysus Laphystius with Mount Laphystus in Bœotia. Likewise, a part of mythology may relate to a Holy Power in respect to functions the God has dominion over or functions with/in, such as Lenœus, a name of Dionysus relating to His dominion over and function with the wine press.

For those identifying Athena as a Goddess of a war college like West Point or Athena as being a Goddess of libraries, this too is part of developing a God’s mythology. Where we find our Holy Powers and why, building up not only correspondences but understandings as to why a given Holy Power may look at a place as holy or one They have affinity for, places our understanding of our Holy Powers not only in the past, but in the immediate, the now. Looking for our Gods, Ancestors, and spirits in our modern landscapes is resacralizing our world, providing points of contact between ourselves and the Holy Powers. It also provides us unique opportunities to connect with Them in was our Ancestors may not have.

Shining Lakes Grove, an ADF grove, shows this work in practice quite clearly in their worship of Ana, the name they were given by the Goddess that is the Huron River in Ann Arbor, MI. Per their work within An Bruane they developed links with the Gods particular to their Grove and within the land they work and worship on. Were I to begin work with Ana, I would likely refer to their work and ask them questions on how to develop a good relationship with Her. After all, they have been doing this work well over twenty years. Likewise, they have developed a unique relationship with the land spirits and the Native American Gods that have called this land home.

In my recent post, Twice-Born, PSVL said:

Excellent work here! I love the series of Goddesses in the middle…that really adds a lot to this myth.

It was never my intention to add anything to the myth. I was inspired by the God to write a poem for Him telling His story. Yet, here I was adding to His myths. Every poem can build up the layers of meaning and understanding around a Holy Power, put new light to the old stories, and bring new stories into being. Writing mythology, whether through prose or poetry, is an act of co-creation with the Holy Powers. Far better for us to enter into this powerful and sacred relationship with care and clarity than to deny the connection this work forges between us and the Holy Powers.

Whether in brief or at length, each story written, each story told, each poem written, each poem spoken, each song sung, each one made for Them all build up our relationships with the Holy Powers. To be sure, not every bit of writing, poetry, or song is meant to build up myths, but all potentially may. We cannot leave our corpus of myths to the past or that is all we will engage with or understand.

Let us teach the myths that are the foundations of our religions and our communities in those conscious and sacred ways. Let us work to develop our myths with the Gods, Ancestors, and vaettir in sacred ways, with care and devotion. Let us work to teach all of our myths consciously and thoughtfully, in sacred ways that honor the Gods, Ancestors, and vaettir, that bring us, individually and communally, into sacred and good relationships with Them.

Small Prayers for Jord

May 12, 2018 Leave a comment

Regin whose body is the World

O Earthmother

Let me walk well with You

May I listen closely

In the breath of air, the song of rain, the calls of birds

For what You would have me hear

 

Bless my hands, O Jord

That their work does well to You

Bless my heart, O Jord

That it always keeps You

Bless my head, O Jord

That is always thinks on what is best for You

Bless my feet, O Jord

That they always walk well upon You

 

Mound of all the Ancestors

Please let Them hear my words

Please let Them receive my gifts

Please let Them speak to me

Please let Them give Their gifts in kind

 

Mound of all the Ancestors

May my words be heard, my gifts received

 

Whose Heart is molten

Whose body is the ground

Hear my prayer, Earthmother

 

Thank you Jord for my life, my family, my Ancestors, the Gods that live in You, on You, and with You.

 

Hail Jord, Earth Itself! Hail to the wild places and the cities, the deserts of ice and sand, the teeming forests and the irradiated wastes, the deep oceans and the height of Your skies!

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