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Question 11: Life Skills and Being a Shaman Part 2

July 13, 2014 1 comment

Continued from Part 1:

From Andrew:

I know in my own practice that increasingly my work has turned to mastering skills of various sorts: I’ve been building pop-up books and working on my sewing machine, practicing calligraphy and geometry, and doing a fair bit of graphic design; the carpentry/cabinetmaking is rarer, but it’s there. And lately I’ve been doing a lot of cooking. Sometimes the work is phenomenally dull, other times it’s deeply interesting — but then the artwork and the mental acuity that comes from artisanship kicks in when I’m working for someone else. I find I solve problems better, sort out potential solutions more quickly, and settle on one faster. So, the topic I’d suggest is… write a series of posts about how your shamanic practice informs other specific parts or your life, or how skills like cooking or driving inform your experience as a shaman?

Crafting, such as with woodworking, leatherworking, and pyrography, has given me different avenues for channeling aspects of my religious life.  Whether in devotional expression, talisman and amulet construction, bag-making, or constructing Runes Themselves and the bags to put Them in, crafting put my religious life and magic into my hands in a concrete way.  Drawing allows to make Rune mandalas to connect to the Runes and make magic with Them.  This, combined with woodburning has allowed for powerful talisman work.  The 30 Days of Magic Talisman Challenge I participated in has been one such working.  Something I have been rolling around in my head for a little while is making a Rune set, sets of healing Runes or healing Rune mandalas on Birch wood disks.  Making Rune sets in special wood, I find, also brings a powerful character to Rune working.  The material one works with adds a layer to the readings, or the Runework one does.

The woodcarving project I am working on what used to be a garden stake, and slowly working on it to make a small godpole for Odin.  This is a very rough outline, but the idea of His Face is here.

Odin Garden Stake Godpole -Rough

Something that a friend of mine taught me when she first showed me how to carve, is that “If you can do this in small details, it makes the bigger things that much easier.”  That is very true, and was more of a life lesson than I thought of at the time!  Woodworking projects are an ongoing exercise in patience, a virtue I do not have enough of.  This is also why the godpole is taking me forever to carve.  Each strip of wood slowly brings me closer to the icon of Him, and at some point I will need to tell myself, or better yet, hear from Him, “enough” or “this is good”.

With many of my projects I tend to go in starts and stops, especially when inspiration wallops me over the head.  This is true of my writing as much as it may be of my leatherwork or pyrography.  There are nights I will bang out a bunch of Rune mandalas on paper or make a woodburned project, and the next day I will get relatively little in terms of anything done.  There are other days where I can just cut leather and make a bunch of bags.  Sometimes there are dry spells where I have left my crafting tools alone for weeks.  During times likes these this blog may sit without a new article.  Sometimes I need help to get started again, like here with the questions.  Sometimes something pushes me to write or draw or craft otherwise, like a good song, an article, or when I follow a prompt.  This has taught me patience, and it has also taught me that it is okay to take my time.  To let things come out as they will rather than trying to force them.

When I try to force wood or leather to go in a particular direction without paying attention to where the material is trying to lead me is where I make the majority of my mistakes.  That comes with listening not only to where I am, but where the project is, and assessing what I can really do in a given moment.  Sometimes when I am inspired, I have worked on Odin’s godpole for 6 or so hours without really realizing it.  The next time I sit down to work on it, I may be at it for half an hour.  Learning to be okay with that has helped me with my shamanic work; there is no need to do it all at once, but knowing when to put the gas on and when to coast used to be a deep struggle for me.  I liked to go, go! go! not that long ago  I am much more at ease now than I was then to coast, or to let the Gods, Ancestors, and vaettir guide me.  Part of that is letting my desire to control go, whether it is a particular project or spiritual work.  Trying to control too much is stifling, and actually can make things take even longer.  Especially in pyrography, not working with the material can destroy all of my hard work.  There are more than a few projects where I was burning leather where I got impatient and tried to do too much too quick.  The edges ended up blackening, and in one case where I was crafting a spell all the way around the perimeter of the leather first, it ruined the uniformity I was going for with the piece.  I had worked on the piece for about four or so hours, and had to start all over again.  I had to step away; I was too angry and devastated to start again right there.  I needed time to calm down and come at things fresh.  When I had, going through all the steps of cleansing and readying myself for the Rune work, it took me awhile to burn, but I did eventually get it done.

Crafting teaches not only skill and technique of the craft in question, but patience, perseverance, and discipline.  Without these things even a sketch is just a few lines on paper.  Letting go of the need for something to look ‘just right’ taught me to apply this patience and understanding in my shamanic practice as well.  In appreciating what I did have.  Even if my work looks nothing like how I believe it should look.

 

 

Question 11: Life Skills and Being a Shaman Part 1

July 10, 2014 4 comments

From Andrew:

I know in my own practice that increasingly my work has turned to mastering skills of various sorts: I’ve been building pop-up books and working on my sewing machine, practicing calligraphy and geometry, and doing a fair bit of graphic design; the carpentry/cabinetmaking is rarer, but it’s there. And lately I’ve been doing a lot of cooking. Sometimes the work is phenomenally dull, other times it’s deeply interesting — but then the artwork and the mental acuity that comes from artisanship kicks in when I’m working for someone else. I find I solve problems better, sort out potential solutions more quickly, and settle on one faster. So, the topic I’d suggest is… write a series of posts about how your shamanic practice informs other specific parts or your life, or how skills like cooking or driving inform your experience as a shaman?

First off, thank you Andrew.  This is a great question.

There are skills I have connected back to and brought into my religious life, like cooking, woodworking, leatherworking, pyrography, and drawing.  There are others which were part of it to begin with, such as raising my son, teaching, listening, and divining.  Where I saw raising my son as part of my duties not only as a parent, but especially as a Northern Tradition Pagan, shaman, and priest, I had to work a little bit to bring cooking into my religious life.

I am not a great cook.  When I first went off to college and lived in a dorm I managed to burn ramen quite well.  I have learned a bit since then.  I at least don’t set food on fire much anymore, and can make something halfway decent when I have good instructions and stay on target.  I was looking around at one point last year for recipes to connect with my Ancestors.  I had not made a full-on meal on Their behalf, and wanted to have a go at a recipe from on the places my blood relatives came from.

So I looked around online for traditional German recipes.  That was when I found a potato leek soup with mushroom recipe.  I wanted to pair it with something else, but by the time I got around to cooking it, it seemed it would be enough on its own.

Here is what it looked like step-by-step:

Step 1 Potato Leek Soup with MushroomStep 2 Potato Leek Soup with MushroomStep 3 Potato Leek Soup with MushroomStep 4 Potato Leek Soup

When it was finished I took some of the soup out to the tree outside to share with the Ancestors.  Doing this not only put a good recipe into my hands and a good offering before the Ancestors.  Cooking pushed me to connect to my Ancestors in a very straightforward and simple way.  This process of cooking for my Ancestors also taught me something else: don’t forget one group of Ancestors or favor Them so strongly above one another.  I had done so much research looking for a recipe for my German Ancestors that I neglected my French Ancestors. They got my attention and let me know in no uncertain terms They were not pleased with this.  Mercifully, They were pleased and much happier when I made Them an omelette using the same kind of mushrooms as I had for the leek soup above.  I thought perhaps I needed to make a more complex dish, like on the order of the leek soup, but sometimes the Ancestors just want a simple staple that They would have had in life.

This life skill is a powerful way of connecting to our Ancestors, and the Dead in general.  Family cookbooks and recipes are, to me, precious heirlooms we pass on to our loved ones whether we have children or not.  It is one more link in the chain between one’s family members and its descendants, and can be as strong as family stories, genealogy, and history.  Above and beyond being a necessary life skill, one which I am grateful my Ancestors have pushed me to cultivate, cooking is a powerful way of keeping the connections with Them alive for all of those who come to our table.

To be continued in part 2.

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