Patreon Topic 45: On Runes, Color, and Activation

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From Emily comes this topic:

“I’m curious why you associate runes as being activated in red. Is there historical precedent? Also, have you found any use for using runes in other colors?”

I want to first point out the Hávamál stanza 143:

Dost know how to write, dost know how to read,
dost know how to paint, dost know how to prove,
dost know how to ask, dost know how to offer,
dost know how to send, dost know how to spend?

translated by Olive Bray and edited by D. L. Ashliman

The way that I understand ‘paint’, ‘tint’, ‘stain’, or ‘colour’ as it is referred to in other sources, eg this translation by Henry Adam Bellows here, and Carolyne Larrington’s translation reprinted here, stanza 145 in this version, is that it is referring to this act with blood. The reference to ‘offer’, or ‘sacrifice’ bears this out in my mind, as does this passage in my understanding of the Runes as vaettir. This is passage is not referring to Gods, Ancestors, or anything other than the Runes here, so anyone applying the passage directly after this to ‘not offering too much’ to Them is doing themselves and the relationships They carry a disservice.

Is there a historical precedent for Runes being activated by the color red? Not that I have found. Runes were etched into bractiates, wood, and stones, and so far as I have read specific pigments were not associated with them. Serje Spurkland in his excellent book Norwegian Runes and Runic Inscriptions, to whit I remember, does not mention anything like that.

It is really important to remember that my work with the Runes, despite really liking and digging into what academic work I can get my hands on and afford, is much more based in spiritwork with Them. It is modern so far as I know. That does not make it less valid, it just bears putting out there.

So what is ‘activating’ a Rune?

It is empowering a surface, item, person, place, thing etc that a Rune is put/carved/painted onto to carry that vaettir and/or Their megin or might. This can take a number of forms. You might paint a Rune tile with blood and so, both feed the Rune and give the Rune the form on a surface in blood. You may carve or scratch Runes into a piece of wood, and then fill the carved wooden Rune space with ochre or acrylic red paint. You might take some of your spit or sweat and mark the inside of a coat with a Rune. You might sing the name of the Rune or write and perform a galdralag to bring the Rune’s power onto a carved candle. Perhaps instead of carving you trace the image of a Rune over yourself or another, and galdr the Rune. Perhaps you use the carrier of your önd, breath, to sing a Rune over/into something/someone. However you make the physical body or whatever carries the Rune, the Rune is activated when the Runevaettr enters the Rune or puts Their megin into Their representation.

I generally look at red as an activating color because it is the color of blood. That’s the long and short of it. I had the option of filling the Rune tattoos on my arms with red and chose not to because, at least to how I relate to Them, I did not want Them to be ‘on’ and working all the time. Not everyone is going to have this association, and that is fine.

When it comes to working with colors and Runework, I think really the sky is the limit. Given we are completely off the historical map and talking spiritwork here, you could look at how you relate to the main colors you can see. Then, get a color wheel, and start building the associations you have with the Runes. Does this color outline put you more in mind of, say, the Icelandic or Anglo-Saxon Rune poem? Does this color with a black outline speak more to you with the Rune’s ability to heal or harm? Do you like clean lines? How about spelling words or writing sentences with Them? If you make a Sowilo with a rainbow gradient in it, does that speak differently to you from a solid yellow or red?

What about bindrunes? If you combined an icy blue Isa with a deep green Jera what does that say to you? How about contrasting with bindrunes that have obvious opposites in them? What about working with complementary colors that speak ‘healing’ or ‘grounding’ to you?

Generally, I do not work with many colors and the Runes outside of black and red. I’m not a great painter by any stretch, and most of the mediums I work in, namely wood, leather, and woodburning in both of those, I tend to work with outlines or black fill more than painting.

What works with me matters far less than what works with you. After all, I have my own relationship with the Runes, my own color associations, and my own understanding with ‘what works’ when it comes to spiritwork, Runework, and being a Rýnstr. So will you. So, enjoy, experiment, and explore.

Patreon Topic 34: On Rune Signs and Confirmations

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From Leslie comes this topic:”Do runes or runvaettir ever appear as signs or confirmations of a Working, well, working? Outside of divination, if they do, how might they do so?”

Oh yes, They can. I have had branches fall down in front of me, unmistakably forming a Rune after asking for a sign. Unless it is something that blatant I will ask that a Rune show up as an answer three times before I will accept it. Sometimes the way the Runes have made Themselves known to me is a little subtle, such as graffiti on a wall or municipal signs.

Sometimes I only see such things after the fact, eg the graffiti really sticks with me and I can’t figure out why until I sit with it. I had this once where Gebo showed up on a wall three times, and I just took it to mean Xs instead, maybe a tag or something. It hit me a little while later that the meaning of Gebo three times was a sign and fit with the question on my mind at the time. Sometimes you recognize it in the moment as something seemingly mundane that just…leaps out at you.

Can They make Themselves known in other ways? Sure. Understanding that Runes are vaettir, spirits, They can communicate with us other than through visual mediums, such as by touch. If you know the literal feeling of how a Rune feels when it has been cut into an object, then that can be a way They use to communicate, such as by running a hand or finger gently along a concrete wall or a wooden table. Since They are vaettir and can work with any of our spiritual senses that happen to be ‘on’ at a given moment, They can work through sound, even smell and/or taste if you have experienced Them in this way. There was a couple of books I encountered a while back where you would literally bake cookies and take the magic of the Runes into you through them, so if you did something like this with a recipe specific to each Rune even the taste of a cookie could kick-start a conversation.

Depending on the Rune(s) at hand, how They come to you, and whether or not you asked a question beforehand can have an impact on your answer. For instance, if I ask for a sign and get it by sight, smell, and feel I might consider that a confirmed sign, and then need to interpet what the medium of communication is saying to me, and what the Rune Itself means. For instance, if I see Hagalaz, smell a smell that I interpret as corresponding to Hagalz, and feel the etching of Hagalaz in a stone I felt called to pick up, then I need to interpret the meaning of Hagalaz from there. This is where having a cache of understanding for the Runes is really helpful. That cache ideally includes knowing the Rune poems well enough to where you can reference them for guidance, your experiences working with the Runes, and correspondences you have built up otherwise with the Runevaettir.

Let’s apply this to my example of Hagalaz showing up in sight, smell, and feel. When Hagalaz shows up in a reading I tend to interpret that much in the same way as a Tower card: things are going to go to shit. Unlike the Tower card where folks reading them might see some kind of light at the end of the tunnel, with Hagalaz that light may well be a damned train. It is one of the roughest Runes to get in a reading, and only occasionally do I get the understanding from the Anglo-Saxon Rune Poem of it being the ice that melts rather than the Icelandic Rune Poem where it is ‘cold grain, sleet, and sickness of serpents’. This translation here by Bruce Dickens on Wikipedia is a good, accessible one. Both Hægl and Hagall are hail, and hail can be incredibly destructive to crops and people. So, when this pops up in a reading whoever gets this Rune is generally not going to get away unscathed.

So how do I interpret this in context of “is a Working, well, working?” If Hagalaz shows up it is a hard “hell no, and this might turn quite ugly”. At the very least if I am asking an Up/Down or Yes/No binary answer it is in the hard “Down” and/or “No” category. Context is key, though. If the working was, say, to cut someone out of my life or to bring something to an end, then it may be effective, if painful.

The context I receive Hagalaz be sight, smell, and feel matters as well. If I receive Hagalaz by sight, say, on a building, then it may be a commentary on how the working was built up, especially if it is at the foundation or ground level. If I receive Hagalaz by smell, say a sharp, clean, and/or piercing smell like cleaner, new-fallen snow, or the like, it may be a comment on something I missed during the working or something that needs to be done so the working can be completed. If I receive the feel of Hagalaz on a stone I have picked up and it is jagged then it may be the working will be ragged, uneven, or is being disrupted by the process itself having been so. This is highly subjective, personal, and completely dependent on your relationship with the Runevaettir, your correspondences, your experiences, and your understanding of Them and yourself at minimum.

While the Rune poems and various books can point you in the right direction to interpret signs and omens from Them, in the end you are doing the interpreting. If I am not getting a clear enough signal I will usually take things to divination. There is nothing wrong with being sure you are understanding the message clearly. There are times you may not need that, and you will understand the meaning of the message crystal clear the first time you get it. In the end, it is up to your relationship with the Runevaettir, and your intuition and understanding.