Patreon Topic 61: On The Year of Aun

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From Maleck comes this topic:

“Year of Aun. What is it? When is it? Resources for folks looking to know more? What are you planning for it and how can folks join in if they want to?”

The Year of Aun 2023 Celebration designed by Ludvig Levin, used with permission from Rune Hjarnø Rasmussen

What is the Year of Aun?

The Year of Aun is a celebration of the realignment of ourselves with the world, and accordingly, the Ginnreginn (the Gods, Ancestors, and vaettir) we share it with. It is a year of healing ceremonies to bring us back into alignment with being good Ancestors with the example of the worst: that of Aun himself.

The Wikipedia entry on Aun the Old is not bad. However, it is not as deep as the sources and interpretation provided to us by Rune Hjarnø Rasmussen and Jósúa Hróðgeir Rood, the latter of whom coined the term Year of Aun. So, what are our sources? Thankfully, when I asked him, Rune provided me these:

Thietmar of Merseburg:
“Because I have heard marvellous things about their ancient sacrifices, I will not allow these to pass unnoticed. In those parts, the centre of the kingdom [of the Danes] is a place called Lejre, in the region of Seeland. Every nine years, in the month of January, after the day of which we celebrate the appearance of the Lord [6 January], they all convene here and offer their gods a burnt offering of ninety-nine human beings and as many horses along with dogs and cock – the latter being used in place of hawks. As I have said, they were convinced that these would do service for them with those who dwell beneath the earth and ensure their forgiveness for any misdeeds.” Thietmar of Merseburg, Book 1: 17. Here quoted from: Ottonian Germany. The Chronicon of Thietmar of Merseburg. Translated and annotated by David A. Warner. Manchester University Press 2001, p. 80

Adam of Bremen:
“For all their gods there are appointed priests to offer sacrifices for the people. If plague and famine threaten, a libation is poured to the idol Thor; if war, to Wotan; if marriages are to be celebrated, to Frikko. It is customary also to solemnize in Uppsala, at nine-year intervals, a general feast of all the provinces of Sweden. From attendance at this festival no one is exempted Kings and people all and singly send their gifts to Uppsala and, what is more distressing than any kind of punishment, those who have already adopted Christianity redeem themselves through these ceremonies. The sacrifice is of this nature: of every living thing that is male, they offer nine heads with the blood of which it is customary to placate gods of this sort. The bodies they hang in the sacred grove that adjoins the temple. Now this grove is so sacred in the eyes of the heathen that each and every tree in it is believed divine because of the death or putrefaction of the victims. Even dogs and horses hang there with men. A Christian told me that he had seen 72 bodies suspended promiscuously. Furthermore, the incantations customarily chanted in the ritual of a sacrifice of this kind are manifold and unseemly; therefore, it is better to keep silent about them.”

These are Rune’s own thoughts on The Year of Aun through his website on Nordic Animism. You can read the full post here. I have reprinted the bullet points and the thrust of why we celebrate it with his permission.

“• We are Aun as our economic order is based on camoflaged, structural violence against other humans in other parts of the world.
• We are Aun as our endless consumerism reduces us to paralyzed captives of luxury and indifference.
• We are Aun in our acceptance of the gruesome and life-annihilating behaviour toward the non-human or other-than-human beings that give us life by becoming our food.
• We are Aun in our complicity in the omnicidal attack on all life by which Western civilization is mercilessly driving us towards the biggest collapse in the history of life for 66 million years.
• We are Aun in our loss of social connectedness to the people closest to us, as our social instincts are being hacked by synthetic systems that enclose us in algorithm-generated mirror cabinets that enhance our stupidest and basest sides and erode the political and social debates that should hold our societies together.
 We are Aun as we are the worst imaginable ancestors.

The Aun year is about acknowledging that we are Aun and calling on the healing of those pathological and abusive patterns with which our society and social order is predicated on violence and mistreatment of our world and of others in our world. That is why we will recover and celebrate the ancient tradition of the octennial celebration in “the Aun year of 2023”, a term coined by Jósúa Hróðgeir Rood as a call for the whole of 2023 to be a year under the theme of healing the rupture.”

When is the Year of Aun celebrated?

Per Rune on Nordic Animism: “We therefore call on you to participate in the ways that you find meaningful, both on the specific days that mark the octennial celebrations in 2023 and throughout the year (January 6 in Lejre and March 6 in Uppsala).”

Rune suggests we celebrate in these ways:

“Make Aun-themes for your 2023 celebrations. Make pilgrimages to regional sacred sites. Celebrate this year of Healing: make rituals for it, pray for it, dance for it, dialogue about it, celebrate it in your gatherings and festivals, call for the cyclical healing of the Aun year. Sacrifice elements of your life ways that derive from the abusive aspects society. Make oaths under the rune of Aun to change life ways that are predicated on destruction.”

Rune for the Year of Aun used with permission from Rune Hjarnø Rasmussen

My plans for the Year of Aun 2023

I plan on following in the steps that Rune has laid out here. Starting with the Yule celebration December 21, 2022, and continuing it in 2023 starting on January 6th. These first rituals will lay the groundwork for a series of both personal and communal rituals that will be oriented the work of healing our relationship with and to Jörð, and being better Ancestors. The pilgrimages I take will be oriented around sacred places where I live in Michigan, such as my local stream, rivers, and the Great Lakes. I began a pilgrimage working several years ago, starting with Lake Superior in which I was inspired to make a Heathen poem for the Great Lakes.

The healing work with the land we have already begun in our home will continue, as will my work with Crossing Hedegrows Sanctuary and Farm and the powerful work we as a community do with the land there. Crossing Hedgerows itself is a sacred site, and so the rituals I do there will be oriented around the healing work we do with the land. I invite folks of good will to contact us and work with us at the Sanctuary in good Gebo with the landvættir.

What does this healing work with the land look like? Something Jean of Crossing Hedgerows has taught me in my years of working with her is to just sit with the land and watch what it does already. That is how they began to heal the land they live on and with. It was severely abused farmland. I remember the land before they moved into their home. It was a monocrop farm operation being seeded, sprayed, harvested, and sprayed again year on year in a vicious cycle. They let the land rest, recover, and watched. They observed the first year. Over time they encouraged the land through berms, swales, the erecting of a hoophouse, and partnering with their chickens to do what it wanted to do, growing food forests alongside everything else. Crossing Hedgerows Sanctuary and Farm is a living example of partnering with the landvættir in healing.

My family and I are taking these lessons in healing and applying them with our relationship with the landvættir we live with. This first year we have planted a small garden in the garden plot the previous owners made, letting the strawberries and various plants they left here grow. Aside from this, and one shave of the land with a lawnmower, we have left the land be. We are letting Them show us what is here, what They want to do, and then we will assess in the early Spring with Them what to do next.

How can folks join in celebrating the Year of Aun with me?

Join the work with my community at Crossing Hedgerows. Reach out and develop rituals for persona and communal healing. Develop mutual aid networks in your own communities and between ours so we rely less and less on the capitalist systems ravaging not only Jörð, but our landvættir and our communities. Share places of pilgrimage with one another.

An idea I have had that has resonance with ancient Scandinavian rituals is the idea of the procession wagon. In those days a wagon with a representation of Freyr would go around to the various towns and bring blessings and healing. Celebrations would be had, and armed conflict would cease while Freyr was present. We could do this in the modern age, with a person or group bringing representations of the Gods, such as Jörð, Freyr, Freyja, and Njörðr, to folks in our area interested in receiving Them. With the return of Their representations being done in a sacred place by the communities They have touched. We could partner with Crossing Hedgerows and/or with interested people and their communities in their sacred places to bring this sacred procession in the Year of Aun to various places.

The Year of Aun is calling us to bring the beauty and power each of us can to the Work of this Year. Each of us who dedicates their time, power, beauty, and work to this Year of Aun helps carry on that healing work with our Ginnreginn to future Years. Each of us has something to contribute, to bring to bear. Each of us has our own work to do. Each of our communities their own work to do. All who celebrate the Year collectively have their work. Each of us contribute to the healing between ourselves and Jörð and our Gods and vættir of the Earth, the betterment of ourselves as Ancestors, and good Gebo with our Ginnreginn.

 

Patreon Poem/Prayer/Song 59: For The Queer Ancestors

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This request was made by Emi for The Queer Ancestors.

You were known by countless names

Spoken with awe and reverence

Respect and beloved in your places

You were and are divine

You ranged the world in multitudes

Blessing the peoples

Guiding the peoples

You were and are divine

You were feared and famed

Kings and concubines

Magicians and mystery-keepers

You were and are divine

Loving, leading, following, and fighting

Healing and helping

Sending and striking

You were and are divine

The peoples lost their ways

Denigrated and despised

Abused and abandoned

You were and are divine

In desperate times You triumphed

In death and destitution You remained

Steadfast and strong You worked

You were and are divine

We have found one another

Holding each other close and weeping

Loving boundless and raging

You were and are divine

You are known by many names

We know You, Queer Ancestors

We call You, Queer Ancestors

You were and are divine

All you have been and all that will be

Bless us and be with us, Queer Ancestors

Show us Your Working and Ways again!

You were and are divine

Ever offered and honored

We keep You, Queer Ancestors

We love You, Queer Ancestors

You were and are divine

Patreon Poem/Prayer/Song 58: For Howl, the Breath, Spark of Life

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This request was made by Maleck for Howl, the Breath, Spark of Life.

Draw Me in

Your lungs, your diaphram expand

Let Me out, slowly

Bring Me in

Deep as you can

Then out, just as swift

Gather Me in

Hold me there

Release, and I course through you

Feel the pounding of your veins

Hear the rush of inner wind

Taste the copper of blood

Smell the ozone around you

See the breathing Worlds

I breathe and burn in you

Sing with me

There are no wrong notes

I swell and move through you

Howl with me

Let your kýn hear

I am the first and last breath

Breathe with me

I will journey with you into Silence

Patreon Poem/Prayer/Song 52: For the Vanir Tribe

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This request was made by Emi for the Vanir Tribe.


Seership and sacrifice

Seed and strength

Salve and sea

The Vanir bless the Worlds with megin

War and wound

Weal and word

Wonder and will

The Vanir shape the Worlds with megin

Art and Álfar

Arrangement and awe

Ardor and affection

The Vanir seed the Worlds with megin

Strength and softness

Supple and stalwart

Steel and stone

The Vanir guard the Worlds with megin

Burned and born

Breath and bonds

Blood and beauty

The Vanir enliven the Worlds with megin

Patreon Poem/Prayer/Song 48: For Jarnsaxa

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This was requested by Vixen for Jarnsaxa.


The iron sax gleams free from the sheathe

Drawn thirsty

Its cut is wide, its bite deep

The mighty arm falls with the bright fang

Drinking greedily

Felling the doughty foe

Great is the battle-Goddess

Steel-spined

Victory claimed in strength

Patreon Topic 49: On Jarnsaxa and Angrboða

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From Vixen comes this topic:

“Maybe you could talk about what you know about Jarnsaxa, or maybe even Angrboða. I know they’re two Jötunn’s I don’t hear may people talk about. I’m assuming it’s because they’re Jötunn but I think they’re important and I’m trying to learn more about them.”

Part of the reason we do not know much is because They are Jötnar, and another is because They are Goddesses. Much of what is known of Jarnsaxa comes from Snorri Sturluson’s Prose Edda, Hyndluljóð, Skáldskaparmál, and Harbarðsljóð. Much of what we know of Angrboða is from the Hyndluljóð, Gylfaginning, and the Völuspá. These are relatively scant passages; there is just not much to go off of here.

With regard to Jarnsaxa, I do not know much about Her. I have not held cultus to Her, though I am not opposed to it. I just have had no reason to engage in it with Her so far. She and Þórr have a son, Magni, and I believe also Móði, though I have found no reference for His Mother. Her name is supposed to translate to ‘Iron-dagger’, ‘armed with an iron sword’ (Orchard and Lindow respectively; thanks Wikipedia!) or ‘the one who holds the iron-knife’ from jarn meaning iron and saxa meaning a single-edged blade or knife . Unfortunately, no one I know holds cultus for Her, so I could not refer to others on Her modern day cultus either.

Angrboða, whose name means ‘the one who brings grief’, ‘she-who-offers-sorrow’ and ‘harm-bidder’ (Simek, Lindow, and Orchard respectively, thanks Wikipedia) has a fairly active modern cultus. Among the heiti I call Her is Chieftain of the Ironwood, Úlfmóðir or Wolfmother, Mother of Monsters (which may translate into Old Norse as Foraðmóðir), and Fostramóðir. I have held cultus for Her for quite a while, not too long after becoming a Heathen. She is powerful, formidable, and can be quite ruthless. In a way I look at Her and Óðinn as being very similar, though She wears Her wolf/monster face far more prominently than Óðinn.

How have I experienced Her?

Angrboða is very much a take-no-shit Goddess. She wants you as you are, and if you want to improve, expects you to work on it. She does not waste Her time, so if She is reaching out to you then She has good reason even if they are Hers to know. While She has understanding of weakness and frustration, I find Her patience like that of a mother wolf: She will abide a lot until you overstep and then She will bark or nip so you remember your place.

I find Her to be more animalistic and primal than a lot of Gods. When I have seen Her when I have hamfara (faring forth in my hamr), She sometimes appears to me as a woman in a simple tunic, trousers, and sometimes with a couple fur pieces wielding a spear. Other times She is a huge wolf, and others a great half-wolf half-woman. Her voice is commanding, deep with power and wisdom, rough. She smells of forest, and various animals, trees, and good earth.

I have held cultus for Her for most of my time as a Heathen, and this is in part by introduction through Loki. I came to know Loki through His blood-brother. For a long time I held cultus with Her the same as my other Gods: offerings, prayers, and devotional time at the Gods’ vé. In night prayers with my family, we thank Her for protection. In knowing and getting to understand Her I came into a better appreciation of the wolves that She has given birth to, and I began cultus with Fenrir a few years back. I also grew to appreciate Hati and Sköll better in this, and while I do not yet have a devotional relationship with Them yet, I can appreciate the work They do that keeps Sunna and Máni on Their ways.

A few years ago I found myself working for Her and coming to understand Her as Fostramóðir as a result of an agreement between Her and Óðinn. Some of the work is to visit Her in Járnviðar, the Ironwood, Her home in Jötunheim. Sometimes this is to just go there and experience it, and other times to run or hunt with the Jötnar there that call it home. The work She has for me is ongoing, and I have yet to fully uncover all the things She wishes me to do. She has done a lot of work with me on my inner nature in the meantime, exploring different facets of being a spiritworker, an úlfheðinn, and bringing lessons there into how I live my life and do my spiritwork.

I find folks who recoil at Her but not at Óðinn a bit odd. Their temperaments, particularly around the accrual and use of power and knowledge a lot alike. They share an association with wolves, bears, shapechanging, and in my experience, also with faring forth in these forms and spiritwork associated with these things. It makes little sense to me that folks would seek to have a good relationship with Hel, or Hela, our Goddess of the Dead, and villainize Her Mother.

While the sources tell us little about Her that is no barrier to developing good cultus with Her. If anything, it pushed me to get to know Her in ways She wanted rather than having the relationship first mediated or sieved through the written word.

Through worshiping and coming to understand Her, She has helped bring me into a new appreciation for the various Jötnar that are intertwined with other Gods and through Them, our lives. She has blessed my family, Kindred, tribe, and I. She protects, She empowers, and She emboldens. She pushes us to see our monstrous selves, to embrace Them fully and without shame. My devotion to Angrboða has provided no small amount of challenge and growth in my life. She has pushed me to embrace myself fully, and in doing that, to better and more fully embrace others. Through devotion and work for Her, She has pushed me to improve myself and the spiritwork I do as a Heathen. Hail Angrboða!

Patreon Topic 47: On Fylgja and Hamingja

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From Vixen comes this topic:

“The parts of the soul. Specifically Hamingja and Fylgja and how they interact with each other, us and the world around us. Reading up on it, both seem to appear (occasionally) in animal form?”

The Fylgja and Hamingja are both noted to occasionally appear in animal forms. Most Heathens reckon the Fylgja to a fetch-like being that, if you see your own, you are in dire danger and may die. With regard to seeing someone’s Hamingja it is generally referred to as being seen by someone with spiritual ability.

It is important note that though both appear in animal form in the written sources, what we know about them is essentially late Iron Age and/or possible Christian interpolation. Like a lot of Heathen reconstruction we are working with as much information as we have access to, best guesses, and our own understanding. With this in mind, it makes sense that multiple ideas of the soul matrix exist and we may not agree, even within Norse Heathen communities.

So, how are they noted to interact with the world? The fylgja is noted as being what amounts to a follower assigned or part of each person that helps you. As noted before, it only is noted as appearing in some recognizable way to the person before danger or death. The hamingja is often understood as group luck or even soul, personified in an animal or woman shape. Some folks gloss it as a kind of guardian angel, and I think that both denies the kind of soul part it is, and reduces it from its importance in Heathen ideas of the soul matrix.

Why animal forms? To a degree I think that animal forms can communicate something about the person they are appearing to. It may also indicate spiritual relationship one holds, or one’s Ancestors hold, with a given animal or group of animals. It may also indicate something about the person in relationship with the Gods, Ancestors, and vaettir that they hold in this lifetime, eg someone’s hamingja tightly tied to Odin may appear as a raven to another person, or to Freyja as a cat or falcon.

I have used fylgja to mean ‘follower’ in the sense of spirits one works with, though I am now leaning more toward neologisms like the one I made, visendavaettir (spirits who know) as spiritual guides and those who work with us since most Heathens do not use fylgja as a term in this way. The post where I go over this is here. Developing these ideas over time makes sense. Some ways work for a while, some don’t. Sometimes we need better or more precise langauge to communicate about what is happening or what is present.

The way both interact with us and in the world is to pass along information, as ways for our souls to interact with ourselves in different ways and the wider world. If we, in our líki/lyke do not see danger but the fylgja does, then fylgjur are involved with, interact with, and in some way at least have a sense of the future about the world. Hamingja is the collected power/luck of our Ancestors, built with our interactions with one another and communities, and is tied into how we live. The fyljga helps us to walk well in the Worlds while the hamginja grows and is changed by how we walk in the Worlds. Perhaps a way to think of it is that fylgjur exist with us in the world, while hamingja is built and expressed in the world.

I think that fylgja may be impacted by hamingja, just as many of our spiritual relationships are impacted by the órlög we enter this life with. Our órlög sets up our individual thread in Urðr’s tapestry, and so, our hamingja is set up and our fylgja is assigned or comes into being. This hamingja and fylgja may indicate the strength, values, and ideas that our Ancestors have passed onto us at this early stage of life, and/or the spiritual relationships they held, and over time that may change. This would be something interesting for folks to look in on from time to time, and see if folks’ fylgja and hamingja take different shapes or have different expressions at different times/stages in a person’s life.

Patreon Poem/Prayer/Song 46: For Cleaning with the Húsvaettir

If you want to submit a request for a prayer, poem, or song to be written to you privately or to be posted on this blog or my Patreon for a God, Ancestor, or spirit, sign up for the Ansuz and above level here on my Patreon.

This was requested by Alexis for cleaning with her húsvaettir (house spirits).

It’s time to clean

It’s time to clean

Húsvaettir I call

Come help me wash

Come help me sweep

Come help me keep our hall!

The work gets done

The work gets done

With effort and with song

The grime is gone

The dust is gone

The cleaning carries on!

We cleanse the home

We cleanse the home

Together húsvaettir

We cleanse above

We cleanse below

This home we all hold dear!

(When all is done)

The cleaning’s done

The cleaning’s done

Thank you húsvaettir

Time to rest

Time to relax

Within our home most dear!

Patreon Topic 45: On Runes, Color, and Activation

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From Emily comes this topic:

“I’m curious why you associate runes as being activated in red. Is there historical precedent? Also, have you found any use for using runes in other colors?”

I want to first point out the Hávamál stanza 143:

143.
Dost know how to write, dost know how to read,
dost know how to paint, dost know how to prove,
dost know how to ask, dost know how to offer,
dost know how to send, dost know how to spend?

translated by Olive Bray and edited by D. L. Ashliman
http://www.pitt.edu/~dash/havamal.html#runes

The way that I understand ‘paint’, ‘tint’, ‘stain’, or ‘colour’ as it is referred to in other sources, eg this translation by Henry Adam Bellows here, and Carolyne Larrington’s translation reprinted here, stanza 145 in this version, is that it is referring to this act with blood. The reference to ‘offer’, or ‘sacrifice’ bears this out in my mind, as does this passage in my understanding of the Runes as vaettir. This is passage is not referring to Gods, Ancestors, or anything other than the Runes here, so anyone applying the passage directly after this to ‘not offering too much’ to Them is doing themselves and the relationships They carry a disservice.

Is there a historical precedent for Runes being activated by the color red? Not that I have found. Runes were etched into bractiates, wood, and stones, and so far as I have read specific pigments were not associated with them. Serje Spurkland in his excellent book Norwegian Runes and Runic Inscriptions, to whit I remember, does not mention anything like that.

It is really important to remember that my work with the Runes, despite really liking and digging into what academic work I can get my hands on and afford, is much more based in spiritwork with Them. It is modern so far as I know. That does not make it less valid, it just bears putting out there.

So what is ‘activating’ a Rune?

It is empowering a surface, item, person, place, thing etc that a Rune is put/carved/painted onto to carry that vaettir and/or Their megin or might. This can take a number of forms. You might paint a Rune tile with blood and so, both feed the Rune and give the Rune the form on a surface in blood. You may carve or scratch Runes into a piece of wood, and then fill the carved wooden Rune space with ochre or acrylic red paint. You might take some of your spit or sweat and mark the inside of a coat with a Rune. You might sing the name of the Rune or write and perform a galdralag to bring the Rune’s power onto a carved candle. Perhaps instead of carving you trace the image of a Rune over yourself or another, and galdr the Rune. Perhaps you use the carrier of your önd, breath, to sing a Rune over/into something/someone. However you make the physical body or whatever carries the Rune, the Rune is activated when the Runevaettr enters the Rune or puts Their megin into Their representation.

I generally look at red as an activating color because it is the color of blood. That’s the long and short of it. I had the option of filling the Rune tattoos on my arms with red and chose not to because, at least to how I relate to Them, I did not want Them to be ‘on’ and working all the time. Not everyone is going to have this association, and that is fine.

When it comes to working with colors and Runework, I think really the sky is the limit. Given we are completely off the historical map and talking spiritwork here, you could look at how you relate to the main colors you can see. Then, get a color wheel, and start building the associations you have with the Runes. Does this color outline put you more in mind of, say, the Icelandic or Anglo-Saxon Rune poem? Does this color with a black outline speak more to you with the Rune’s ability to heal or harm? Do you like clean lines? How about spelling words or writing sentences with Them? If you make a Sowilo with a rainbow gradient in it, does that speak differently to you from a solid yellow or red?

What about bindrunes? If you combined an icy blue Isa with a deep green Jera what does that say to you? How about contrasting with bindrunes that have obvious opposites in them? What about working with complementary colors that speak ‘healing’ or ‘grounding’ to you?

Generally, I do not work with many colors and the Runes outside of black and red. I’m not a great painter by any stretch, and most of the mediums I work in, namely wood, leather, and woodburning in both of those, I tend to work with outlines or black fill more than painting.

What works with me matters far less than what works with you. After all, I have my own relationship with the Runes, my own color associations, and my own understanding with ‘what works’ when it comes to spiritwork, Runework, and being a Rýnstr. So will you. So, enjoy, experiment, and explore.

Patreon Poem/Prayer/Song 45: For Allmother Frigga

If you want to submit a request for a prayer, poem, or song to be written to you privately or to be posted on this blog or my Patreon for a God, Ancestor, or spirit, sign up for the Ansuz and above level here on my Patreon.

This was requested by Maleck Odinsson for Allmother Frigga.


Holy One

Who loves Her People

Who loves Her Children

Born from Her or Another

Hail to You!

Secret Weaver

Who knows Urðr’s tapestry

Who ties the warp with care

Who draw the weft with precision

Who wields the sword with skill

Hail to You!

Allmother

Whose regal bearing inspires

Whose countenance stills

Whose words are matchless

Whose power is undeniable

Hail to You!

Hail to You!

Hail to You, Almóðir!