Patreon Topic 26: On Regional Cultus

If you want to submit a topic you would like me to write on for this blog or my Patreon, sign up for the Uruz or Thurisaz level or above here on my Patreon.

From Maleck Odinsson comes this topic:

“Regional Cultus. Not just in the realm of honoring the local spirits, but also in how the gods are reflected differently in different times and places.”

When I first started writing on this I was approaching this purely from an academic perspective, noting the resources we have available to us are mostly coming after conversion and almost all the earliest sources through Christian writers. The scholars and academics who later gave us interpretation and understanding of these sources, and even the archaelogists, all are operating within a Protestant Christian dominated background.

Generally, our Gods in the academic fields are not being approached as Gods. We have living, dynamic relationships with Them. Even over the course of my life my cultus with Óðinn has gone through changes, so I would hardly expect in a generation other Heathens to carry anything like the same relationship as I. When I began to worship Him, He came to me sometimes as Father, but mostly as Rúnatýr, and Yggr primarily. He was fierce, harsh, and a taskmaster in the early times. He still is at times.

How the Gods are reflected differently in different times and places depends on how the Gods fit into the landscape/environment we live in now, and the relationships we hold with Them. I would have a far harder time relating to Skaði if I lived in a place without snow, and relating to the Gods of the ocean is a lot harder for me here in the Great Lakes than it is when I visited the ocean. I still hold cultus for the Gods of the ocean, but it is a more remote one, less in-my-face than that of the Great Lakes Goddesses.

A big difference in regional cultus I can confidently point to is mine with Jörð, Freya, Freyr, and Gerða. I relate to Jörð through the Earth I stand on, and while Jörð is still Jörð wherever in Miðgarð I go on Her, I relate to Her differently here, especially in my home, vs a hotel room. The difference between worshiping Her on land I have helped cultivate vs a hotel room is quite stark. I have no relationship to the land in a hotel room beyond a place to rest my head. My thanks to Her is much more general, eg She is of the place, and I am grateful for Her being the floor and eventually the ground beneath my feet. Contrast this with the relationship I hold with Her being the good, black Earth I helped to till and plant in that our good harvest has grown from. My cultus with Freya, Freyr, and Gerða is embedded in no small part in that same gardening. It is not that I cannot relate to Them outside of the home, the hearth, or the garden, but that it lacks the specific ways in which our relationships flow as they do there.

The asparagus plant is one group of vaettir in which I relate quite a bit to these Gods locally. As before, I associate Jörð with the garden it grows in. The plant itself clearly associated with Freyr given its virility, fertility, and phallic shape. It is also associated with Gerða in that to harvest it, it must be cut down, and this fits in with my understanding of Freyr as a Sacrificed God whose blood renews the fertility of the Earth. Freya I associate with the pollinators, especially the bees and their sweetness, and the preparation work that must go on so the plants can prosper. It is not just through the garden and all the vaettir within it that I relate to these Gods. I relate to these Gods through the actions I take with the land. Tilling, planting, gardening, weeding, harvesting, all of this is done in relationship with the landvaettir, with Jörð, with Freya, with Freyr, with Gerða, and with the Ancestors, especially those who farmed and/or gardened. All of this with just one kind of plant. How much more so with a garden! How much more so with a biome!

Regional cultus grows from our living relationship with the environment, and if I can find that much connection in and through a single plant then we can certainly make them through the land we live on. It is worth pointing out that Yggdrasil holds the Worlds, and the Worlds are also in relationship with one another. Asgarðr and Jötunheimr are across a river, Ífingr, from each other. Jotunheimen is the name of a range of mountains in Norway. The Worlds are said to be in different direction, eg Niflheim to the North, Muspelheim to the South. We can likewise locate our relationship with the Nine Worlds in such ways, much as our forebears did with regard to directions and the landscape. Perhaps rather than strictly in the East, Jötunheimr is in or has connections to the World in the far more wild forest behind the home. A special rock becomes a hörgr, a stand of trees a vé, and from there perhaps new relationships form with Jötun Gods.

It is really hard predict how regional cultus will develop over time. After all, my family has only lived in Michigan for five generations, including myself and my children. Between major predicaments like climate change and peak oil, the unfolding of the next election and the consequences from that, our unique land here in Michigan, and the unfolding relationships we hold right now, it is anyone’s guess how it will develop. Given the ongoing Work and relationship I have with Óðinn, our strong commitment to direct experiences of our Gods, Ancestors, and vaettir on the land we live, and our work on the land, we will have many avenues to understand our Gods and develop relationships through.

Patreon Song/Prayer/Poem 27 -For Freyr, God of the Gravemound

If you want to submit a request for a prayer, poem, or song to be written to you privately or to be posted on this blog or my Patreon for a God, Ancestor, or spirit, sign up for the Ansuz and above level here on my Patreon. This prayer was requested from Maleck Odinsson for Freyr, God of the Gravemound.

You danced in the field

Bells tingling with each step

Blessing

You came to the holy place

Hair wildly dancing

Hallowing

You knelt before the blót vé

Hands open to all

Hailing

You opened the mound

The Dead awaken

Gathering

You open your hands

Inviting Living to Dead

Clasping

You witness the meeting

Binding ties again

Weaving

O Freyr, God of the Gravemound

You bless us with connection

On the mound, on the good Earth

Descendant meets the Ancestor

Ancestor meets the Descendant

By Your blessing!

Hail Freyr, Haugrdróttin!

Patreon Topic 25: On Ancestral Threadwalking and Bloodwalking

If you want to submit a topic you would like me to write on for this blog or my Patreon, sign up for the Uruz or Thurisaz level or above here on my Patreon.

From Streaking Fate comes this topic:

“Your thoughts on following your ancestral threads back or other ancestral work done through trance specifically. “Bloodwalking” is a term I have seen, but I am not sure how widely used it is.”

Bloodwalking is not a widely used term, and from what I can gather it originates from Raven Kaldera in his book Jotunbok. It is a useful term, because it is more or less what it says on the tin. You go into a trance state, sometimes combined with útiseta, to find Ancestors using a person’s blood on a piece of string, yarn, or similar cordage. Maybe you are looking for Them to talk with Them, or find out information. I am going to use another term I’ve made up since I started writing this. Not everyone is okay with working with blood, and not all of our Ancestors are related to us by blood, so I have made the term Ancestral threadwalking. I could see Ancestral threadwalking including bloodwalking if needed because you might be looking for a particular family member in connection with, say, a family friend who may as well be family.

As with a lot of spiritwork this is not something I recommend for beginners. At the least you are going to want a good familiarity and comfort with going into and out of trance spaces, have established Ancestor cultus so you’re not going somewhere outside of the Ancestors you want to contact and/or walk to/with, and you are likely going to want well-established spiritual allies to keep you safe. With regards to Ancestral threadwalking/bloodwalking, as I understand this to be Hyndla’s speciality, I would highly recommend having already started a cultus with Her. Considering this is Ancestor work I would highly recommend a good devotional relationship with Hela.

I would also highly recommend being comfortable with útiseta prior to engaging in this work, as the act of going out onto a mound, near a body of water, and the like to engage in trance work, journeywork, and/or magic may be a required ritual to do this well. Before doing this for someone else or for Ancestors you do not know, I would do a few sessions with this with Ancestors you do know so you can get a feel for the work, how it is supposed to run, and what challenges you may face in the work.

My thoughts on following your ancestral threads back and/or threadwalking/bloodwalking are that it can be incredibly useful and also ripe for a lot of abuse, delusion, and sock puppetry. By ripe for abuse I mean that unscrupulous or harmful others could well use such work in an abusive fashion, eg “The Ancestors say we should be together” or “You have harmful Ancestor blocks only I can remove. Pay me to remove them or they stay in place.” By ripe for delusion I mean that one who engages in this work could fool themselves or be fooled by spirits into believing they have Ancestors they do not, eg the desire to have powerful, cool, or interesting Ancestors overrides whoever the Ancestors are that we need to contact. This ignores the understanding that a good chunk of our Ancestors were actually regular folks and that we may not have a given powerful, cool, or interesting person in our bloodlines. By ripe for sock puppetry I mean that this work could well lead us to interacting not with our Ancestors but with our mental projections, biases, and prejudices of what we think our Ancestors should be. Without the proper groundwork done and the care taken to be sure we are doing the work well what could be good spiritually insightful workings turn into little else than mental masturbation. It can go along with the risks in this work in regards to delusion, but the risks of sock puppetry vs delusion were important enough I felt both needed highlighting.

So, why should folks engage in following their ancestral threads and/or bloodwalking?

There are many of us who have limited access to our genealogical information. Ancestral threadwalking and/or bloodwalking can be useful in connecting us with Ancestors who we may not have been able to reach through conventional means. Even if we have official records, we may have Ancestors who were left out of them. Ancestral threadwalking offers us opportunity for connection that we may otherwise be denied. It may also offer our Ancestors connections They have been craving, or the opportunity to heal old wounds through connection with Their latest descendants.

How to engage in Ancestral threadwalking?

Begin with cleansing, grounding, centering, shielding, and warding the space. Pray to the Gods, Ancestors, and vaettir you have good, established relationships with, and make offerings for this to be a good working. Work with whatever method is best for you to go into a good and safe trance state. You can combine this with útiseta. The purpose is to find your own or another’s Ancestors and bring back information, establish contact, or talk with Them. Maybe you have a family name, or just an idea of who this person is, eg a great-great-great grandparent you have never met.

You might work with a skein of yarn, thread, or other form of cordage as physical representation or tactile-spiritual sensation of how far back you need to look in time. You might visualize a tree with long branches and deep roots and you are looking for a particular part of a branch, the trunk, or root. You might audiolize a song with many parts expanding from a deep bass or a drum beat into a multipart even multigenre song, and have to listen for a single instrument in all that and then find it. You might just have to wait for a sense of knowing that emerges out of a desire to connect with an Ancestor while doing deep, steady breathwork in a graveyard, next to a body of water, or in/before a vé.

Once you have made contact write or record as much as you can. Far better if someone can do this for you. This is not the time to filter information. Figuring things out comes later. Transmitting the information is key now. You may need to combine different divination methods together with this one, such as tarot, the Runes, or Yes/No binary divination methods.

If Ancestral threadwalking and/or bloodwalking is something you choose to explore it can be a powerful tool in your spiritual toolkit. Be aware of the risks any work where you are engaging in trance or journey work can pose. You should have an established spiritual practice, ongoing good relationships with Gods, Ancestors, and vaettir, and familiarity with safely and consciously engaging/disengaging in altered states of consciousness prior to this working. If you have not developed a devotional relationship with Her, I would recommend developing one with Hyndla and/or Hela. I would do several threadwalks/bloodwalks with known Ancestors before doing this with unknown Ancestors, and especially with someone else’s. Done well, this can bring new Ancestors into yours and/or others’ lives, heal broken connections, and empowering you with good, strong allies that have been left by the wayside for a long, long time.

Patreon Song/Prayer/Poem 26 -For Hyndla

If you want to submit a request for a prayer, poem, or song to be written to you privately or to be posted on this blog or my Patreon for a God, Ancestor, or spirit, sign up for the Ansuz and above level here on my Patreon. This prayer was requested from Streaking Fate for Hyndla.

You can trace lines of red back

Back to where the red shifts colors

To light, syrupy sweet sap

Where the branches of lines end suddenly

Where the branches reach into the shadowy places

Where the branches curve, split, rejoin in unexpected ways

You can find them wherever they roam

No matter how hidden

No matter how lost we are

No matter how scattered we are

You, who know all the ways that Urðr has unfolded for each thread woven, each carved tile

You, who knows all the ways Verðandi is weaving now, each tile being scored

You, who cannot see all the ways Skuld will weave and carve

Hail Hyndla, Bloodwalker, Seer, She Who Knows the Lines!

Patreon Song/Poem/Prayer 25 -For Dionysos

If you want to submit a request for a prayer, poem, or song to be written to you privately or to be posted on this blog or my Patreon for a God, Ancestor, or spirit, sign up for the Ansuz and above level here on my Patreon. This prayer was requested from Alec for Dionysos.

Honey-spattered hands

Wetten the jar

Stirring in the magic

Patience, patience

Brewing takes time

Juice-soaked feet

Dance in the barrel

Pouring down the magic

Patience, patience

Brewing takes time

Green-stained hands

Collect the basket

Simmering the magic

Patience, patience

Brewing takes time

Calloused hands

Grind the mill

Boiling the magic

Patience, patience

Brewing takes time

Protrygaios! Theoinos! Agathos Daimon!

Blessed are the Ways You have taught!

Blessed are the Ways of patience, patience

For brewing takes time!

Patreon Topic 24: Crafting Ritual

If you want to submit a topic you would like me to write on for this blog or my Patreon, sign up for the Uruz or Thurisaz level or above here on my Patreon.

From Alec comes this topic:

“Do you think you could possibly go over how you create a ritual? I understand if maybe it’s too personal but I always find myself having a hard time organizing a ritual and there’s so much confusing information I would love to know what you do, if you’re okay with sharing.”

This is something I have gone over in my blog before, but not quite in this way. The posts on ritual praxis are here: 1, 2, 3, 4, 5, 6. However, since that was covering specifically Heathen praxis I thought it was worth revisiting it here for a more general polytheist and Pagan audience.

First, to define what a ritual is. According to the OED a ritual is “1 A religious or solemn ceremony consisting of a series of actions performed according to a prescribed order.” Thankfully, this definition tells us nothing of what that religious or solemn ceremony actually consists of, only that there is a prescribed order. The fun part of being a Pagan is that your prescribed order may be entirely worked out with your Gods, Ancestors, vaettir, and/or developed on our own depending on the relationships, roles, and the reasons for the rituals we engage in. Likewise, our solemnity may follow either the first or the second definition rather than the first alone: “1 Formal and dignified. 2 Characterized by deep sincerity.”

Rituals may be performed anywhere. I mean that sincerely. We may be more or less prepared to do a ritual in whatever the ideal ways are for us are. Ritual is available to us as a way and tool of connection, power, and relationship wherever we go. They can be incredibly simple, from three deep breaths and a “Thank you” to the Goddess Sunna for shining down on us or as complex as a community-wide Haustblot (Autumn Sacrifice) with animal sacrifice and feast.

To make how I craft a ritual easier to follow I will break it down into steps.

Step 1: The Reason for Ritual

Before we begin to design a ritual we need to know why we are doing ritual, what ways of doing ritual are respectful for my Gods, Ancestors, and/or vaettir, and what role(s) are in that ritual. Is this ritual’s purpose right? That is, does a given ritual deepen my right relationship with a God, Goddess, Ancestors, vaettr, or group of Them? If it is not a devotional ritual, but something like a rite for empowerment or protection, does the ritual provide some kind of positive result for the ritualist(s)?

Step 2: The Form of the Ritual

This is how the ritual will be conducted and where it will be conducted. The language you use, the cadence, tone, and other delivery of it may change depending on if you are approaching the Gods in a formal way or an informal way, or if you are doing ritual for a group. It can also depend on the size of a give group, or the kind of emotion the ritual is supposed to tap into. In the case of a simple devotional rite, like the one above with three breaths to Sunna and a “Thank you”, it a simple ritual of thanks. With a Haustblót it can be incredibly complex, with many ritual steps including leading a group through prayers, offerings, divination, and sacrifice.

Step 3: Consideration for the Ritual

This is about where the ritual taking place and how best a ritual space can be accomodating to its ritualists and attendees. Can the ritual be performed as desired in that space? Is the place for the ritual accessibile to folks with mobility disabilities? Is the ritual or ritual prep going to take a long time and the ritual crew and attendants need food/drink? Are there special props, offerings, etc that must be included or excluded? If alcohol is at the rite is there a non-alcohol option for folks who do not drink it?

Step 4: Roles for the Ritual

This is about who does what in the ritual. If you have a spiritual specialist, or several, what role(s) do they serve and how do they serve it? If you are doing a solo ritual, how do you create your role within the ritual so that you can enact the ritual while also experiencing it? Are there aspects of the ritual you can ask others to perform or do you need to do it yourself, eg divination after the rite? While this step takes on a bigger function in a group setting thinking about your role as a ritualist in private rituals can be helpful in considering how a given rite might affect you, and what you need to do to be in a good mindset for each part of it.

Once these questions are answered we can get into designing the ritual itself. We will go over my basic ritual outline below.

1. Cleansing. Cleanse yourself, the area, and anything being brought into the ritual not consecrated to the Gods, Ancestors, or vaettir. Likewise, cleanse any spiritual or other tools that you bring into the space. Cleansing can be done by tradition-appropriate methods, eg khernips or reykr/recels, or by a simple blessing spoken over water and sprinkled on an area/person/item.

2. Grounding. This is letting go of any excess energy whether accumulated throughout the day or disturbed by the act of cleansing. This can be as simple as three long breaths, letting your muscles relax, and getting ready for the next step, or as complex as a multipart tree visualization where you put your ‘roots’ into the Earth and exchange energy with the Earth and/or an Earth Goddess.

3. Centering. This centering yourself in what you are doing and why you are here. For ritual work this is coming to focus on the ritual. In other contexts centering might be focusing on the hereness of your body, the next step in whatever task you have before you, or being present and acknowledging thoughts as they occur and letting them go.

4. Shielding/Warding. This is present in Wiccan traditions as casting a circle, and while most non-Wiccan polytheist religions do not normally do this, there are definitely ways in which a person is shielded or a place warded. Atropotaic symbols adorn temples as well as people the world over. We wear symbols of our Gods, which not only serve as signs of our devotion, but also may call to our Gods to protect us, and/or give us strength to protect ourselves. The bringing of fire around a space in Heathenry to cleanse a space also serves to set the sacred boundary so it is a two-in-one cleansing and shielding. I put this step here because some folks, myself included, usually have a step where a space is formally declared sacred when it is not at our home altars, shrines, or vé and we cannot use something like fire to cleanse and ward.

5. Set the Intention of the Ritual. This can be a simple declarative statement such as “Thank you, Sunna, for shining down on me. I share this coffee with You in gratefulness.” It can be as complex as “Hail to the Gods, Ancestors, and vaettir! We come together today to celebrate the Haustblót, to celebrate the Fall Harvest, and to sacrifice our offerings so that cycle of gift for a gift continues! Hail to all of our Holy Ones!” The point of Step 5 is to firmly fix what the point of it is and to get undewray.

6. Call to/invite the Gods, Ancestors, and/or vaettir. Again, this can be as flowery or as simple as your Gods, Ancestors, vaettir, tradition, or style of ritual allows for. Sometimes simple is way better, especially starting out. Be sure if you are calling to Gods, Ancestors, or vaettir by certain titles, epithets, heiti, etc that you know what they are and what calling on Them in that way means.

7. Engage in the ritual itself. Take the time you need to do it well. Immerse in the experience in the moment and analyze your experiences after the ritual.

8. Thank the Gods, Ancestors, and vaettir for Their Presence. Make offerings, prayers, and do any work needed in thanks, in reciprocity, at this point.

9. Do any ritual aftercare, cleanup, and take down of the vé, altar, etc if needed.

Especially for new folks or folks who are out of practice it may take doing more than a few to get everything down. The work will teach you how to do the work. If you have questions, comments, or thoughts leave them in the comments or email me and we can work from there.

Patreon Song/Poem/Prayer 23 -For Hermes Poikilomêtês

If you want to submit a request for a prayer, poem, or song to be written to you privately or to be posted on this blog or my Patreon for a God, Ancestor, or spirit, sign up for the Ansuz and above level here on my Patreon. This prayer was requested from my third Raiðo supporter for Hermes Poikilomêtês.

The door of Hades swings open for You

The Dead follow You down

You, who lead mighty Heracles to and from the depths

Bless the passing of the Dead

O fleet-footed God

Who blesses the limbs of thieves and pursuers

The hungry soul is fed and the greedy one is denied

Justice given from many ways

Whose eyes are full of stars

The grand cosmos uncoils

The beautiful dance of all things in the Starry Sky

You teach well to astronomer, astrologer, and seeker

Who sees and knows the smallest dance

The microscopic and subatomic in the deepest parts of Earth

The vibrating dance of all things

You teach well to the scientist, the engineer, and seeker

You who knows well the ways

The rivers of the body and the bending of disease to cure

The knitting of flesh, bone, mind, and spirit

You teach well to the doctor, nurse, medic, counselor, and seeker

Teacher, instructor, initiator

Wise and wily beyond reckoning

Counter and clever, ever-reaching for knowledge and wisdom

Hail to You, Hermes Poikilomêtês!

Patreon Song/Poem/Prayer 21 -For Freya

If you want to submit a request for a prayer, poem, or song to be written to you privately or to be posted on this blog or my Patreon for a God, Ancestor, or spirit, sign up for the Ansuz and above level here on my Patreon. This prayer was requested from Maleck Odinsson for Freya.

Seiðkona Who shakes in the throes of vaettir

Spákona Who hears the vaettir speak

Ginnregin Who embodies power

Whose mouth is full of blood

Whose hand hold the sacrificial knife

Whose spear is keen and wet

Whose sword is fierce and eager

Whose hair is braided for battle

Whose eyes pierce the foe

Whose wings cut the air

Whose words stir Urðr

Patreon Song/Poem/Prayer 20 -For Apollo

If you want to submit a request for a prayer, poem, or song to be written to you privately or to be posted on this blog or my Patreon for a God, Ancestor, or spirit, sign up for the Ansuz and above level here on my Patreon. This prayer was requested from Alec for Apollo.

Sweet apples bloom red under Your light

The orchards sing with birds

The bees alight among the flowers

You set the music of Summer

Glorious light dapples down

The nymphai and naiades dance in the holy places

Trees and waters sway

Your gentle song brings dance

Warmth spreads in the field

The winter harvest is sewn

The summer harvest is taken

Your Presence brings life

Hail Apollo, ever-shining, ever-brilliant, ever-glorious!

Patreon Song/Poem/Prayer 18 -For Narfi

If you want to submit a request for a prayer, poem, or song to be written to you privately or to be posted on this blog or my Patreon for a God, Ancestor, or spirit, sign up for the Ansuz and above level here on my Patreon. This prayer was requested from Streaking Fate for Narfi.

Too many know Your doom

Wrought by Aesir wrath

Few know You as You are and were

Gentle, strong hands

Beloved of Your Parents

Admired for Your boundless zeal

Your unfettered curiosity

Your joy in Life Itself

So I praise You, gentle Lord

I praise Your soft hands

I praise Your warm heart

I praise Your love for all You laid eyes on

I praise Your tenderness and trust

I praise Your sweet embraces

I praise Your soft kisses

I praise You for the joy of Your family

I praise You, O gentle God

May You ever be hailed!