Happy New Year 2019

January 1, 2019 Leave a comment

Happy New Year everyone!

May the New Year bring health, wealth, contentment, and blessings.

Tíl ars ok heil ok friða!

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Loki is Not Trump (Neither is Odin)

November 25, 2018 21 comments

Surprising no one, I did not care for Karl E.H. Seigfried’s recent Wild Hunt article on Loki.

From the start of the article he sets up a divide, stating:

For a thousand years, poets and scholars have seen Loki as a troubling figure who brings harm to the community of which he is a part. Today, there are many lovers of Norse mythology and practitioners of Pagan religions who view him as a positive figure, and even one deserving of veneration and worship.

His dividing line here is an appeal to authority and an appeal to tradition. He then goes on later to say:

At times, his most devoted worship seems to shade into a form of mono- or henotheism. I have met practitioners whose devotion to Loki and disdain for the other Norse gods seems quite far removed from a diverse polytheism.

So many strawfolks already set up. It is what makes his next statement seem so disingenuous.

There is no reason to challenge the importance that Loki has for so many people around the world, whether it manifests in pop culture fandom or intense religious devotion.

Except that is exactly what he does. He does the same thing when he quotes Tolkien’s dislike of allegory and then proceeds to dive whole-hog into one of his own in four parts, connecting Trump and Loki. He states that his writing is one of applicability, in line with Tolkien, rather than an allegory.

Trump is not Loki or Odin. The way the Seigfried tries to hook the narratives he has built around Trump into Loki is hamfisted at best, and lazy at worst. He builds up his defenses in pieces prior to the four part attack on Trump and Loki, namely in saying:

I do not believe that we should reconstruct every aspect of ancient worldviews situated in a time and place of normalized slavery, entrenched homophobia, and celebrated violence. I do not believe that it is even possible to reconstruct the detailed internal worldviews of a plurality of peoples who left behind no second-level theological discourse.

then:

That said, I am bothered by approaches to myth that brush aside any elements of ancient sources that readers don’t like or find problematic as “Christian influenced.” Academics and practitioners alike are guilty of this rhetorical turn

and then:

Again, I do not deny the personal meaning that many find in Loki. I simply can’t follow them to a place where the sources of our knowledge are read in ways that sometimes seem parallel to conspiracy theorist readings of today’s news stories.

He states that we cannot reconstruct the worldview of ancient Heathen cultures due to a lack of resources and then casts doubt on readings of the texts in which Loki is looked at in a positive light, connecting these readings of myth to conspiracy theories. Without applying prudence to reading what myths and legends we do have we are doing ourselves and those who follow us a disservice. Understanding as best as we can that Snorri had biases both from his Christian upbringing and the influence of Classical literature available to him and applying them to a reading of his sources means we are engaging in discernment, discernment we would be reasonable to assume whether we are reading a source on ancient Scandinavian/German myths, a translation, or modern retellings that can carry the biases of the original scribes or translators.

Painting Trump as Loki in this way brings Loki down to Trump’s level as a human. Loki is not human. He is part of the Aesir and a Jotun. He is a Being worthy of worship and reverence. Trump, being neither part of my ancestry nor of any cultus I pay homage to, is not. Casting one’s views of Trump in Loki’s mythological light obfuscates the myth, and one could accuse Seigfried of no small amount of cherry-picking in his mythologizing.

Calling the first section “Objectifier of women”, Seigfried did not include in his first of the four parts casting Trump and Loki togther that Thjazi instigates the means by which he extracts the oath from Loki to bring him Idunna. It is little wonder that Loki does not mention it to the Aesir until They come to Him. The last time something went wrong the Aesir threaten to torture or kill Loki unless He fixed the issue at hand, such as the giant working on Asgard’s walls almost winning the wager of the Sun and Moon as well as Freya’s hand in marriage. Loki pushed for the Jotun to be allowed to work with his horse Svaldilfari, so the Gods put the blame on Him and threatened to torture and kill Him if He did not fix the situation. They do the same when They figure out He lured away Idunna and is why They are aging due to Her no longer harvesting the apples that keep Them young. Not only does Loki fix the situation, returning Idunna to the Aesir at great risk to Himself, He helps the Aesir eliminate Thjazi’s threat when the Jotun is burnt at the walls, and gain Skadi as an ally by making Her laugh. In each situation where He is threatened with torture and death He more than makes up for His shortcomings, perceived or not, gaining the Gods great gifts and allies.

Loki is not objectifying Idunna. Both Loki and Idunna are used by Thjazi when he extracts Loki’s oath, and while She is in Thjazi’s hands. She is part of the Aesir, and They need Her service of keeping the fruit that keeps the Gods young. So, Her rescuer brings Her back. It’s a poor myth to start with in comparing Loki to Trump. It seems to me that Seigfried shaved off every edge in Loki’s favor in order for to try to make this myth fit his Trump-shaped hole. Having read through his article more than a few times, it seems he did so with every myth he refers to.

I am obviously biased in the favor of both Odin and Loki, but it is not my point here to pretend like neither God did not do horrible things in the myths we have. Rather, my objections lie in applying Trump to Loki. Trump is Trump, Loki is Loki, and Odin is Odin.

We can take lessons from our myths without mythologizing our politicians. It is an ugly precedent to set. We have enough issues with mythologized history, such as Thanksgiving being taught in schools as though it was a dinner to which Natives and the Pilgrims sat down respectfully across from one another as equals, or that Washington ‘could not tell a lie’. Painting Lincoln as ‘the Great Liberator’ while ignoring that he was the one who ordered the hanging of 38 Dakota who were captured fighting back against the settlers that had broken treaties with them after enduring privation and starvation. That great lie, Manifest Destiny. We have enough obfuscation in the way of reading about history that we do not have need of more of it by conflating our religions’ myths with our modern political realities, especially as poorly as Karl E.H. Seigried does here.

It certainly does not provide more understanding to President Trump’s life, election, and administration to frame political and economic realities in the same realm as myths either by allegory or by applicability of mythological stories. If you want to understand how candidate Trump rose to power and won the election you need to look at, among many things, economics, politics, and history. To my mind it would certainly be more enlightening to understand President Trump’s election into the Oval Office through the lens of history via Spengler, Toynbee, or through similar lenses looking at bigger arcs in history, and how paradigms change through economic, political, and social pressures.

Skepticism and eyes raise when Christians point to a politician and apply the label of Antichrist. I think one of our own doing the same with Trump and crying “Loki!” should receive the same response.

On Níðhöggr

November 19, 2018 6 comments

A while back I was asked to share my understanding of Níðhöggr by a fellow Heathen. Vikings of Bjornstad lists the meaning for Níðhöggr’s name as ‘Malice Striker’. The first section of the compound name, níð, is related to malice, insult, and strife. The second is related to beheading, striking, blows, or chops. Not much survives on this dragon/serpent survives from the lore. Among the places to look for Níðhöggr are in the Prose Edda, both in Gylfaginning and Skaldskarpamal, and in the Poetic Edda Grimnismal and the Voluspa. While the lore refers to Níðhöggr as male, my interactions with Níðhöggr have leant me to understanding the dragon as female.

I relate to Her as a God of Rot and Death, and a God of the Gravemound as well, especially seeing interlinks between the rotting of death and the eating of poison. My family’s compost heap is dedicated to Hela and to Níðhöggr, as we see Níðhögg as eating the poison of Yggdrasil and the making of it into the healthy new earth that is renewed. The gravemound takes in the Dead and the new growth results within it, holding the power of the sacred items deposited within it and the new growth above.

Most of my understanding and beliefs regarding Níðhöggr is from direct experience of seeing Her and interacting with Her. When I was saw Her, She was chewing the corpses of the Dead, taking the poison of Their lives, Their misdeeds. She does the same with the root of Yggdrasil She chews on, not to damage it, but to prevent poison that is collected in Helheim and the Nastrond from killing It.

A powerful insight of dragon symbolism, at least in terms of how I see it in Norse/Germanic/Scandinavian culture/myth is that part of their destructive nature is what they sit on. In Fafnir’s case it is his bed of gold and the greed associated with it. In Níðhöggr’s case She is lying in the midst of traitors, oathbreakers, and is sitting with the rot and poison of Yggdrasil’s root. She chews on the traitors, oathbreakers, and outlaws, as well as the root of Yggdrasil. One of the passages in the Voluspa says She sucks the blood of the slain. I see Her doing similar, chewing and sucking on the poison in the root of Yggdrasil, removing the rot so it stays healthy. It also explains why Her/His hall is the Hall of Serpents dripping poison because that is Níðhöggr’s environment. My fellow Heathen likened it to a poison dart frog, and I think that’s a fair reading of Her too.

It is telling that the only time She emerges in myth is during Ragnarok and She isn’t destroyed, but takes up roost again beneath the ground. I find Her very purifying, as She has been in the midst of all that rot, poison, and uncleanliness, and yet, She has not lost Herself to it. She engages with this Work before and after Ragnarok. She is rejuvenating and dangerous, the Chewer of Corpses and Warder against Poison. As outlaws and traitors were among the worst one could be, and both were put into the utgard of society, I see Her as a boundary-keeper since She gives these dangerous and vile Dead a place to go to be contained, chewed, composted so they do not harm the community or rest of Yggrasil. She is the God that chews the rot beneath the Tree, rejuvenating both the root and the soil in which Yggdrasil’s root rest; necessary and holy.

Reykr of Una

November 12, 2018 Leave a comment

Prayers are whispered

Charred cloth over Mugwort

The flint strikes the steel

Again

Again

Again

Finally, a spark

The cloth catches

Careful, careful

Breathe the offering of ond;

soft, quick little puffs

A prayer of thanks

Smoke unfurls

Großmutter Una’s body is pressed into red orange

The reykr is made

Holiness rises

Reflecting on Doki Doki Literature Club, Servitors, Egregores, and Vaettir

November 12, 2018 Leave a comment

My thoughts today are in great part being spurred on by the visual novel game Doki Doki Literature Club. If you have not played it, I heavily recommend doing so unless you are easily disturbed. It has content warnings in the startup of the game for a reason. A fair warning: from here on in I will probably be discussing spoilers. I heavily recommend you play the game before reading this post, since the guts of it came after watching Let’s Plays of this game.

Note: I began writing this months ago and it has sat in my Drafts folder for awhile, mostly finished. I finally got around to putting some finishing touches on it, and I may come back to this idea sometime later.

Read more…

100 Years

November 11, 2018 Leave a comment

100 years since the signing of the Armistice.

100 years of silence and bells.

100 years since the end of World War 1.

The years that made our world what it is. The years that changed so much, that shaped so much. How to approach such a day?

With solemnity. With gratitude. With honoring. With remembering.

To the Warrior and Military Dead who sacrificed all they had to give.

To the Warriors and Military personnel who gave all they had to give.

To the families who never saw their loved ones again.

To the families that did.

To the lands that still bear countless scars of trenches and powder, artillery and countless bullets and the blood of all the Dead.

100 years and so many lives have passed that a great forgetting is coming over the nations.

We honor in remembering. In remembering the Dead live.

78. Cattle die, | and kinsmen die,
And so one dies one’s self;
One thing now | that never dies,
The fame of a dead man’s deeds.

Havamol, translated by Henry Adam Bellows

Some resources:

Dan Carlin’s Hardcore History: Blueprint for Armgageddon

Part I, Part II, Part III, Part IV, Part V, Part VI

BBC Four: The First World War

BBC 26 Part Documentary on World War 1

Thinking on Polytheism and Media

November 11, 2018 7 comments

I thought this would be a fun topic to explore as I’m working on finishing up the On Ritual Praxis series of posts.

So much of my thinking on media has been shaped by a key number of factors, including my own perspective as a polytheist, my consumption of and conversations around media with family and close friends throughout much of my life, the books Narrative Medicine and Coyote Medicine by Dr. Lewis Mehl-Madrona, and looking at various video bloggers such as Bob Chipman aka Moviebob or Lindsay Ellis on the role of media in modern life. I use the previous two video bloggers as jumping off points for a lot of thoughts on the very topic of this post because they give nuanced and comprehensive looks at the material they review, and both acknowledge biases they carry up front.

Media is a shared source of culture. It is the music, podcasts, and audio novels we listen to, the news, movies and shows we watch, the books, magazines, and papers we read, and so on. Rather than attach polytheism to an aesthetic, style, genre, etc, polytheist religions and their adherents embrace many Gods, and right along with this embraces many forms of media, and its attendant aesthetics and styles as well. Each kind of media we have the ability to engage with has the capacity to connect us, to enforce or renew our connections, to deepen our relationship with our polytheist religions, Holy Powers, and one another. It’s other edge is that it can do the opposite.

Right now my ears are filled with Flykt’s Forndom as I write on this phone. Much of my playlist is filled with works of similar music, including Wardruna, Heilung, Hagalaz’ Runedance, and Paleowolf. I lean to furs and leathers in my winter dress and t-shirts and shorts in the summer, usually with some kind of geek/nerd or religiously meanginful iconography on the shirts. Folk music and polytheist-oriented podcasts or Great Courses audibooks fill my ears most often. Among the shows I watch are the Marvel Netflix series, anime such as Princess Mononoke and Wolf’s Rain being among my favorites, and documentaries about history, religion, technology, and science. My wife recently turned me onto the English Heritage channel and the BBC series Tudor Monastery Farm on Youtube. I play video games as diverse as The Walking Dead, Civilization, Final Fantasy, and Battlefield. I am a long-time tabletop RPG player, DM, and storyteller.

Despite my various forms of engaging with modern media, as a polytheist I often find myself frustrated. Media’s modern incarnations are so often geared towards the marketing of lowest common denominator material that its overall contribution to the positive development of society has been, and will likely continue to be debated for a long time. Set that aside, and most of the media made is not made for polytheists and much of the media makes that quite clear up front. Modern media is part of culture, and any part of media has a hard time breaking away from the mindset in which it is based. Modern American media, as modern American culture, is so mired in a Protestant Christian mindset, arguably the most toxic elements of Calvinism and Puritanism being its largest holdovers, that it seeps into many space in which there are actual diversities of work taking place.

The last video game I remember playing in which a polytheist religion figured prominently in the plot was in Mass Effect 2, where one of the squad characters worships many Gods as a matter of course and his gods and relationship with them explored in a generally respectful manner. In many of the books that I read polytheism is simply part of the landscape, such as the Jim Butcher Dresden Files books, or American Gods. These two both come with their own caveats. In a funny twist Harry Dresden has interactions with many Gods, but in this he draws a distinction between his interactions with Them and with his friend, Michael Carpenter’s faith as a Catholic, in that Harry does not need to believe in these Gods. They just exist, and his jury is out on Carpenter’s Catholic God. Despite being surrounded by Gods, and in some cases having contractual relationships with different Gods and spirits, Dresden never commits to worshiping any. This is not a problem in and of itself, but Dresden never comments on any but a Native American medicine man/wizard character working with spirits in a relationship rather than transactional way. No one in the Dresden universe has ever to actually have been shown to worship Gods, despite how much They show up and have pull in many of the plotlines he is involved in.

American Gods subordinates the existence of Gods to living through Their worshipers. The central conceit of the story is that Gods are real and live, but their ability to live and affect reality is enabled through the minds of their worshipers, the memories their descendents carry, and through the offerings that the few who believe in Them give. Where Dresden is an agnostic, Shadow is wandering into a world full of Gods, both ancient and modern, blind. As an audience surrogate to start with, he is not bad. Gaiman could have done far, far worse. Shadow struggles with doubt and disbelief in ways familiar to many of us who worship Gods, and his path in the book is similar enough to how I began working with the Old Man that the first time I picked up the book my jaw dropped at some of the parallels.

As a polytheist my view is that both works suffer from positioning the Gods as real, but their worshipers as unreal or utterly absent. As neither Butcher or Gaiman seem to engage the Gods and Their worshipers as being real in their respective works the polytheist view is utterly lost to agnostic points of view embodied in Dresden and Shadow respectively. Are the Gods real in these works of fiction? The simple answer is “Yes”, and the more complicated answer is “Real in what sense?” Butcher’s Dresden universe seems to treat the Gods as real Beings with Their own motivations, some at loggerheads with each other and others in cooperation. His view of the Fae is that They have control and power over/with the forces of nature, and His view of Odin is that the Einherjar are real, and the Wild Hunt actually features in one of his books in a really cool way. The Gods do not lack agency, power, or ability to influence the world in his books. However, Butcher’s development of monotheist characters like Murphy or the Carpenter family without any development at any time of polytheist characers or families shows the operating mindset that Christianity and agnosticism are the default worldviews even with the massive amount of Gods and spirits sprawling through his books.

Gaiman does treat the Gods as real with Their own motivations, views, and conflicts. However, his central premise (Their existence relying on worship) robs Them of being understood in Their own terms. His New Gods, such as Media and Technical Boy, are counted as Gods as well, with sharp divides between Old and New, and the dynamics of these relationships are the lattice on which the plot is built. Yet, his treatment of America is that America is hostile to Gods, that They don’t really have a place here. The one time a Pagan is featured they do not recognize Ostara standing right in front of them, nor recognizes the meaning or impact of Her Day. Granted, when I read this part I grinned like a damn fool since I have heard almost the same thing come out of Pagans’ mouths word-for-word, so Gaiman’s strawperson here clearly isn’t built up out of whole cloth. However, at no point is there a contrast to this person, at no point is a worshiper who keeps good cultus brought forward.

For all that the Gods are treated as real in these stories, we polytheists are non-people in these stories. Despite this glaring flaw I do like American Gods and The Dresden Files quite a bit. It is unfortunate that both works have these flaws, not only because I enjoy these stories, but also that these two are front-runners of urban fantasy fiction. These two have set the tone for many of the urban fantasy series in existence now, with many taking far more liberties with the abilities of their various protagonists’ powers, and more liberties with the reality and abilities of the Gods. Where both Butcher and Gaiman in their works seem to have respect for the Gods even if both are agnostic in regards to Them, more urban fantasy fiction seems to use the Gods rather than have Them as part of the reality of the world their characters are in.

My issue is not with fantasy, urban or otherwise, but with the treatment of Gods as mere characters for plot advancement. It seems many authors do not think through the impact that having many Gods takes on a people, most egregious in fantasy settings. A basic example is a story with a forest God in it. If there is a God of the forest it should make an impact on how the local village would interact with the forest and its denizens, festivals, etc. If polytheism is the default for a fantasy world it should have impact on how characters think, act, fight, fuck, marry, work, worship, raise kids (if they do) and express themselves. Many forms of media, not just genres of writing, could use some healthy polytheist mindsets and attitudes not only in terms of worldbuilding, but focus of plot, worldview of characters, and so on.

This kind of critique carries into any creative media where writing or messaging is a key factor. I do not just want more representation in media of polytheism, I want good representations of polytheisms in media. Whether a work of fiction takes place in our world or another, media does impact how we are perceived and does impact how we ourselves can see ourselves. As the saying goes, “Representation matters.”

Yet, we also need to be careful of taking too much of ourselves from media. Most media is made to sell. That which isn’t are often labors of love, thankfully more being supported through platforms like Patreon, YouCaring, GoFundMe, and similar. To my mind these platforms are powerful ways polytheists can support one another without resorting to dumbing down our ways of thought or the messages we may be asked through our work to bring into the world. Certainly, Bob Chipman and Lindsey Ellis use Patreon as their primary source of income so they can do their work on Youtube. Jim and I’s first podcast, The Jaguar and the Owl, had its costs taken care of by our Patreon supporters.

If we support polytheists in their various ways of making media then our media has more reach and better ability to actually be done and make an impact. An artist will be able to fully commit to their art because they are able to focus on it. An artist only able to do their art part-time because they have bills to pay with a full-time job will have a harder time producing consistent quality work. If we want quality work, whether that is art whether digital or physical, leatherwork, woodwork, yarnwork, video, the written or spoken word, music, workshops, audiobooks, or podcasts, we need to support that work.

A starving artist is one concentrating on trying to get their next meal rather than writing their next book, painting their next painting, or knitting their next project. People suffer more than enough just with the work needed to get to making quality media. This attitude that suffering should accompany media is actively unhealthy and halting a great many people who could be putting themselves to working on something of quality.

It is not just the media we passively consume that we need to be mindful of. We also need to be aware of the stories we tell ourselves. When I play D&D, Shadowrun, or a White Wolf game, I run each setting as a polytheist with polytheist assumptions. As much as D&D has contributed to folks thinking about God purely in terms of functionality, i.e. this is a God of Healing, even D&D has gotten better over the years for expanding on and giving the gods of their worlds mythology for characters and players to dig into. A creator god of the elves in the Faerun setting, Correllion, has an active conflict with Gruumsh, the creator god of orcs. This plays out into gameplay, potentially between player characters (PCs) and certainly between PCs and non-player characters (NPCs). At least since the beginning of 3rd edition, gods in D&D have become more fleshed out. Granted, they are still boiled down in stat blocks, being “God of this” and “Domains for clerics are this” and “alignment is this”. For instance, in alignment Corellion and Gruumsh are chaotic good and chaotic evil respectively.

Being mindful of how we consume our media and how we portray gods through it, even fictional ones, can better portray what a powerful impact a polytheist mindset has on the denizens of a given world and in turn give better representation of a polytheist mindset and its impact to one’s players. What does this matter, though? Isn’t this just something we pass the time with? Sure, as with any media some of it can be mindless consumption, but what we are engaging with we are bringing. It does us good to think on the impact that such consumption and sharing media has on us. Roleplay especially is impactful because we are not passively engaged in someone else’s story. Truth be told, if we are actively reading we are not passively engaged in that, either. Humans roleplay and make stories all the time, so the stories we tell ourselves have impact. Far better we take in and engage with stories in which our voices are heard, understood, respected, and engaged with.

There’s a lot of intersection between polytheists and various media just looking at my own interests that I’ve written about here. Rather than keeping our Gods and our views to ourselves, I would see us expand the people our works touch. To this, I don’t mean boiling down our beliefs to something easily digestible to the lowest common denominator. I mean that whatever our creative interests or engagement with media we make conscious choices so our religions are part of them. Some of our views will be deeply challenging to dominant paradigms just on their own. Being polytheist in and of itself is transgressive because our identity is wrapped up with believing in and worshiping many Gods, Ancestors, and spirits.

I blog, I podcast, and on occasion I make music and Youtube videos. I recognize that for all the good I may do there I am, by and large, talking with my own people. Some media is just going to do that. There is nothing wrong with that. When it comes to developing and exploring ideas in/of/to our religions many of these conversations are only relevant when in dialogue with our fellow polytheists. Even so, I think polytheists could do with being more forthright in our exploration, engagement, and creation of media so that our religions, norms, communities, and we ourselves have more representation, say, and impact on the societies we live in.

There’s a few reasons for why I would like to see this happen. Practically, the polytheist communities are quite small compared to the American population. Yet, if folks can blow thousands of dollars on various media there is no reason I can see that we cannot or should not tap into that as well for our own purposes. Further, so long as we are not in control of our own messages others will be. Polytheists producing and disemminating our own media is part and parcel of wielding power and influence. We can change perspectives by actively engaging in the public spheres as polytheists. Engaging in this way can deepen dialogue, develop perspectives, and open channels of communication between our wider communities and with one another. Engaging with the wider sphere of our cultures through media of all kinds allows our views to be heard and allows for change to take place, great and small, whose course we help to directly influence.

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