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On Níðhöggr

November 19, 2018 1 comment

A while back I was asked to share my understanding of Níðhöggr by a fellow Heathen. Vikings of Bjornstad lists the meaning for Níðhöggr’s name as ‘Malice Striker’. The first section of the compound name, níð, is related to malice, insult, and strife. The second is related to beheading, striking, blows, or chops. Not much survives on this dragon/serpent survives from the lore. Among the places to look for Níðhöggr are in the Prose Edda, both in Gylfaginning and Skaldskarpamal, and in the Poetic Edda Grimnismal and the Voluspa. While the lore refers to Níðhöggr as male, my interactions with Níðhöggr have leant me to understanding the dragon as female.

I relate to Her as a God of Rot and Death, and a God of the Gravemound as well, especially seeing interlinks between the rotting of death and the eating of poison. My family’s compost heap is dedicated to Hela and to Níðhöggr, as we see Níðhögg as eating the poison of Yggdrasil and the making of it into the healthy new earth that is renewed. The gravemound takes in the Dead and the new growth results within it, holding the power of the sacred items deposited within it and the new growth above.

Most of my understanding and beliefs regarding Níðhöggr is from direct experience of seeing Her and interacting with Her. When I was saw Her, She was chewing the corpses of the Dead, taking the poison of Their lives, Their misdeeds. She does the same with the root of Yggdrasil She chews on, not to damage it, but to prevent poison that is collected in Helheim and the Nastrond from killing It.

A powerful insight of dragon symbolism, at least in terms of how I see it in Norse/Germanic/Scandinavian culture/myth is that part of their destructive nature is what they sit on. In Fafnir’s case it is his bed of gold and the greed associated with it. In Níðhöggr’s case She is lying in the midst of traitors, oathbreakers, and is sitting with the rot and poison of Yggdrasil’s root. She chews on the traitors, oathbreakers, and outlaws, as well as the root of Yggdrasil. One of the passages in the Voluspa says She sucks the blood of the slain. I see Her doing similar, chewing and sucking on the poison in the root of Yggdrasil, removing the rot so it stays healthy. It also explains why Her/His hall is the Hall of Serpents dripping poison because that is Níðhöggr’s environment. My fellow Heathen likened it to a poison dart frog, and I think that’s a fair reading of Her too.

It is telling that the only time She emerges in myth is during Ragnarok and She isn’t destroyed, but takes up roost again beneath the ground. I find Her very purifying, as She has been in the midst of all that rot, poison, and uncleanliness, and yet, She has not lost Herself to it. She engages with this Work before and after Ragnarok. She is rejuvenating and dangerous, the Chewer of Corpses and Warder against Poison. As outlaws and traitors were among the worst one could be, and both were put into the utgard of society, I see Her as a boundary-keeper since She gives these dangerous and vile Dead a place to go to be contained, chewed, composted so they do not harm the community or rest of Yggrasil. She is the God that chews the rot beneath the Tree, rejuvenating both the root and the soil in which Yggdrasil’s root rest; necessary and holy.

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100 Years

November 11, 2018 Leave a comment

100 years since the signing of the Armistice.

100 years of silence and bells.

100 years since the end of World War 1.

The years that made our world what it is. The years that changed so much, that shaped so much. How to approach such a day?

With solemnity. With gratitude. With honoring. With remembering.

To the Warrior and Military Dead who sacrificed all they had to give.

To the Warriors and Military personnel who gave all they had to give.

To the families who never saw their loved ones again.

To the families that did.

To the lands that still bear countless scars of trenches and powder, artillery and countless bullets and the blood of all the Dead.

100 years and so many lives have passed that a great forgetting is coming over the nations.

We honor in remembering. In remembering the Dead live.

78. Cattle die, | and kinsmen die,
And so one dies one’s self;
One thing now | that never dies,
The fame of a dead man’s deeds.

Havamol, translated by Henry Adam Bellows

Some resources:

Dan Carlin’s Hardcore History: Blueprint for Armgageddon

Part I, Part II, Part III, Part IV, Part V, Part VI

BBC Four: The First World War

BBC 26 Part Documentary on World War 1

Thinking on Polytheism and Media

November 11, 2018 6 comments

I thought this would be a fun topic to explore as I’m working on finishing up the On Ritual Praxis series of posts.

So much of my thinking on media has been shaped by a key number of factors, including my own perspective as a polytheist, my consumption of and conversations around media with family and close friends throughout much of my life, the books Narrative Medicine and Coyote Medicine by Dr. Lewis Mehl-Madrona, and looking at various video bloggers such as Bob Chipman aka Moviebob or Lindsay Ellis on the role of media in modern life. I use the previous two video bloggers as jumping off points for a lot of thoughts on the very topic of this post because they give nuanced and comprehensive looks at the material they review, and both acknowledge biases they carry up front.

Media is a shared source of culture. It is the music, podcasts, and audio novels we listen to, the news, movies and shows we watch, the books, magazines, and papers we read, and so on. Rather than attach polytheism to an aesthetic, style, genre, etc, polytheist religions and their adherents embrace many Gods, and right along with this embraces many forms of media, and its attendant aesthetics and styles as well. Each kind of media we have the ability to engage with has the capacity to connect us, to enforce or renew our connections, to deepen our relationship with our polytheist religions, Holy Powers, and one another. It’s other edge is that it can do the opposite.

Right now my ears are filled with Flykt’s Forndom as I write on this phone. Much of my playlist is filled with works of similar music, including Wardruna, Heilung, Hagalaz’ Runedance, and Paleowolf. I lean to furs and leathers in my winter dress and t-shirts and shorts in the summer, usually with some kind of geek/nerd or religiously meanginful iconography on the shirts. Folk music and polytheist-oriented podcasts or Great Courses audibooks fill my ears most often. Among the shows I watch are the Marvel Netflix series, anime such as Princess Mononoke and Wolf’s Rain being among my favorites, and documentaries about history, religion, technology, and science. My wife recently turned me onto the English Heritage channel and the BBC series Tudor Monastery Farm on Youtube. I play video games as diverse as The Walking Dead, Civilization, Final Fantasy, and Battlefield. I am a long-time tabletop RPG player, DM, and storyteller.

Despite my various forms of engaging with modern media, as a polytheist I often find myself frustrated. Media’s modern incarnations are so often geared towards the marketing of lowest common denominator material that its overall contribution to the positive development of society has been, and will likely continue to be debated for a long time. Set that aside, and most of the media made is not made for polytheists and much of the media makes that quite clear up front. Modern media is part of culture, and any part of media has a hard time breaking away from the mindset in which it is based. Modern American media, as modern American culture, is so mired in a Protestant Christian mindset, arguably the most toxic elements of Calvinism and Puritanism being its largest holdovers, that it seeps into many space in which there are actual diversities of work taking place.

The last video game I remember playing in which a polytheist religion figured prominently in the plot was in Mass Effect 2, where one of the squad characters worships many Gods as a matter of course and his gods and relationship with them explored in a generally respectful manner. In many of the books that I read polytheism is simply part of the landscape, such as the Jim Butcher Dresden Files books, or American Gods. These two both come with their own caveats. In a funny twist Harry Dresden has interactions with many Gods, but in this he draws a distinction between his interactions with Them and with his friend, Michael Carpenter’s faith as a Catholic, in that Harry does not need to believe in these Gods. They just exist, and his jury is out on Carpenter’s Catholic God. Despite being surrounded by Gods, and in some cases having contractual relationships with different Gods and spirits, Dresden never commits to worshiping any. This is not a problem in and of itself, but Dresden never comments on any but a Native American medicine man/wizard character working with spirits in a relationship rather than transactional way. No one in the Dresden universe has ever to actually have been shown to worship Gods, despite how much They show up and have pull in many of the plotlines he is involved in.

American Gods subordinates the existence of Gods to living through Their worshipers. The central conceit of the story is that Gods are real and live, but their ability to live and affect reality is enabled through the minds of their worshipers, the memories their descendents carry, and through the offerings that the few who believe in Them give. Where Dresden is an agnostic, Shadow is wandering into a world full of Gods, both ancient and modern, blind. As an audience surrogate to start with, he is not bad. Gaiman could have done far, far worse. Shadow struggles with doubt and disbelief in ways familiar to many of us who worship Gods, and his path in the book is similar enough to how I began working with the Old Man that the first time I picked up the book my jaw dropped at some of the parallels.

As a polytheist my view is that both works suffer from positioning the Gods as real, but their worshipers as unreal or utterly absent. As neither Butcher or Gaiman seem to engage the Gods and Their worshipers as being real in their respective works the polytheist view is utterly lost to agnostic points of view embodied in Dresden and Shadow respectively. Are the Gods real in these works of fiction? The simple answer is “Yes”, and the more complicated answer is “Real in what sense?” Butcher’s Dresden universe seems to treat the Gods as real Beings with Their own motivations, some at loggerheads with each other and others in cooperation. His view of the Fae is that They have control and power over/with the forces of nature, and His view of Odin is that the Einherjar are real, and the Wild Hunt actually features in one of his books in a really cool way. The Gods do not lack agency, power, or ability to influence the world in his books. However, Butcher’s development of monotheist characters like Murphy or the Carpenter family without any development at any time of polytheist characers or families shows the operating mindset that Christianity and agnosticism are the default worldviews even with the massive amount of Gods and spirits sprawling through his books.

Gaiman does treat the Gods as real with Their own motivations, views, and conflicts. However, his central premise (Their existence relying on worship) robs Them of being understood in Their own terms. His New Gods, such as Media and Technical Boy, are counted as Gods as well, with sharp divides between Old and New, and the dynamics of these relationships are the lattice on which the plot is built. Yet, his treatment of America is that America is hostile to Gods, that They don’t really have a place here. The one time a Pagan is featured they do not recognize Ostara standing right in front of them, nor recognizes the meaning or impact of Her Day. Granted, when I read this part I grinned like a damn fool since I have heard almost the same thing come out of Pagans’ mouths word-for-word, so Gaiman’s strawperson here clearly isn’t built up out of whole cloth. However, at no point is there a contrast to this person, at no point is a worshiper who keeps good cultus brought forward.

For all that the Gods are treated as real in these stories, we polytheists are non-people in these stories. Despite this glaring flaw I do like American Gods and The Dresden Files quite a bit. It is unfortunate that both works have these flaws, not only because I enjoy these stories, but also that these two are front-runners of urban fantasy fiction. These two have set the tone for many of the urban fantasy series in existence now, with many taking far more liberties with the abilities of their various protagonists’ powers, and more liberties with the reality and abilities of the Gods. Where both Butcher and Gaiman in their works seem to have respect for the Gods even if both are agnostic in regards to Them, more urban fantasy fiction seems to use the Gods rather than have Them as part of the reality of the world their characters are in.

My issue is not with fantasy, urban or otherwise, but with the treatment of Gods as mere characters for plot advancement. It seems many authors do not think through the impact that having many Gods takes on a people, most egregious in fantasy settings. A basic example is a story with a forest God in it. If there is a God of the forest it should make an impact on how the local village would interact with the forest and its denizens, festivals, etc. If polytheism is the default for a fantasy world it should have impact on how characters think, act, fight, fuck, marry, work, worship, raise kids (if they do) and express themselves. Many forms of media, not just genres of writing, could use some healthy polytheist mindsets and attitudes not only in terms of worldbuilding, but focus of plot, worldview of characters, and so on.

This kind of critique carries into any creative media where writing or messaging is a key factor. I do not just want more representation in media of polytheism, I want good representations of polytheisms in media. Whether a work of fiction takes place in our world or another, media does impact how we are perceived and does impact how we ourselves can see ourselves. As the saying goes, “Representation matters.”

Yet, we also need to be careful of taking too much of ourselves from media. Most media is made to sell. That which isn’t are often labors of love, thankfully more being supported through platforms like Patreon, YouCaring, GoFundMe, and similar. To my mind these platforms are powerful ways polytheists can support one another without resorting to dumbing down our ways of thought or the messages we may be asked through our work to bring into the world. Certainly, Bob Chipman and Lindsey Ellis use Patreon as their primary source of income so they can do their work on Youtube. Jim and I’s first podcast, The Jaguar and the Owl, had its costs taken care of by our Patreon supporters.

If we support polytheists in their various ways of making media then our media has more reach and better ability to actually be done and make an impact. An artist will be able to fully commit to their art because they are able to focus on it. An artist only able to do their art part-time because they have bills to pay with a full-time job will have a harder time producing consistent quality work. If we want quality work, whether that is art whether digital or physical, leatherwork, woodwork, yarnwork, video, the written or spoken word, music, workshops, audiobooks, or podcasts, we need to support that work.

A starving artist is one concentrating on trying to get their next meal rather than writing their next book, painting their next painting, or knitting their next project. People suffer more than enough just with the work needed to get to making quality media. This attitude that suffering should accompany media is actively unhealthy and halting a great many people who could be putting themselves to working on something of quality.

It is not just the media we passively consume that we need to be mindful of. We also need to be aware of the stories we tell ourselves. When I play D&D, Shadowrun, or a White Wolf game, I run each setting as a polytheist with polytheist assumptions. As much as D&D has contributed to folks thinking about God purely in terms of functionality, i.e. this is a God of Healing, even D&D has gotten better over the years for expanding on and giving the gods of their worlds mythology for characters and players to dig into. A creator god of the elves in the Faerun setting, Correllion, has an active conflict with Gruumsh, the creator god of orcs. This plays out into gameplay, potentially between player characters (PCs) and certainly between PCs and non-player characters (NPCs). At least since the beginning of 3rd edition, gods in D&D have become more fleshed out. Granted, they are still boiled down in stat blocks, being “God of this” and “Domains for clerics are this” and “alignment is this”. For instance, in alignment Corellion and Gruumsh are chaotic good and chaotic evil respectively.

Being mindful of how we consume our media and how we portray gods through it, even fictional ones, can better portray what a powerful impact a polytheist mindset has on the denizens of a given world and in turn give better representation of a polytheist mindset and its impact to one’s players. What does this matter, though? Isn’t this just something we pass the time with? Sure, as with any media some of it can be mindless consumption, but what we are engaging with we are bringing. It does us good to think on the impact that such consumption and sharing media has on us. Roleplay especially is impactful because we are not passively engaged in someone else’s story. Truth be told, if we are actively reading we are not passively engaged in that, either. Humans roleplay and make stories all the time, so the stories we tell ourselves have impact. Far better we take in and engage with stories in which our voices are heard, understood, respected, and engaged with.

There’s a lot of intersection between polytheists and various media just looking at my own interests that I’ve written about here. Rather than keeping our Gods and our views to ourselves, I would see us expand the people our works touch. To this, I don’t mean boiling down our beliefs to something easily digestible to the lowest common denominator. I mean that whatever our creative interests or engagement with media we make conscious choices so our religions are part of them. Some of our views will be deeply challenging to dominant paradigms just on their own. Being polytheist in and of itself is transgressive because our identity is wrapped up with believing in and worshiping many Gods, Ancestors, and spirits.

I blog, I podcast, and on occasion I make music and Youtube videos. I recognize that for all the good I may do there I am, by and large, talking with my own people. Some media is just going to do that. There is nothing wrong with that. When it comes to developing and exploring ideas in/of/to our religions many of these conversations are only relevant when in dialogue with our fellow polytheists. Even so, I think polytheists could do with being more forthright in our exploration, engagement, and creation of media so that our religions, norms, communities, and we ourselves have more representation, say, and impact on the societies we live in.

There’s a few reasons for why I would like to see this happen. Practically, the polytheist communities are quite small compared to the American population. Yet, if folks can blow thousands of dollars on various media there is no reason I can see that we cannot or should not tap into that as well for our own purposes. Further, so long as we are not in control of our own messages others will be. Polytheists producing and disemminating our own media is part and parcel of wielding power and influence. We can change perspectives by actively engaging in the public spheres as polytheists. Engaging in this way can deepen dialogue, develop perspectives, and open channels of communication between our wider communities and with one another. Engaging with the wider sphere of our cultures through media of all kinds allows our views to be heard and allows for change to take place, great and small, whose course we help to directly influence.

On Ritual Praxis -What and Why?

March 3, 2018 1 comment

In tackling the subject of ritual praxis I think it is most useful to tackle head-on what ritual and ritual praxis is, why we have ritual praxis, and then, how and why we develop it.

According to the Oxford English Dictionary the definition of a ritual is:

1. A religious or solemn ceremony consisting of a series of actions performed according to a prescribed order.

and praxis:

1. Practice, as distinguished from theory.
2. Accepted practice or custom.

The purpose of ritual praxis is that it is an established body of beliefs and actions rooted in serving a specific end. In devotional work this is fostering right relationship with the Holy Powers, that is, Gods, Ancestors, and spirits. In magic, ritual praxis is established so that enactment of the ritual ends in the aims of the magic being attained. Generally, we will be talking about the former: devotional ritual praxis. If devotional ritual praxis is how we establish and reestablish right relationship with the Holy Powers it makes sense not to have to consistently reinvent the proverbial wheel with each new polytheist.

A refrain I heard a lot when I became a Heathen was that Heathenry is “the religion with homework”. What this ends up meaning is that folks will often throw a book list at people and say “Go read and then when you’re ready to talk I’ll be here.” This approach may be keeping out a lot of folks who could be good community members if the barrier to entry was not there.

Do not mistake me, I actually employ a variation on this approach. However, the diference is that I give people interested in the Northern Tradition, especially those interested in joining Mimirsrbrunnr Kindred a book list with a mix of academic and spiritual work-oriented books rather than merely academic texts. The reason for this is to establish that the person is willing to put in work, is willing to adopt and adapt to a Heathen mindset, and to show that they are willing to put time and effort into the Kindred. In other words, show they are worthy of our time.

This is not where I have seen folks direct the “religion with homework” idea. Often, the would-be Heathen is given an exhaustive scholarly book list with little-to-no instruction on how to be a Heathen. The question is not how useful these resources are to a Heathen, but whether or not their use is to the right end. The ‘right end’ in this case being the teaching of, and eventual integration of a Heathen worldview into a Heathen newcomer’s life. It is worth reflecting on what sources we recommend to those showing interest in Heathenry. It is worth reflecting how useful our sources are to the stark newcomer so that we are not merely flinging books at people or building in an assumption that books are the best and/or only way to learn how to be a good Heathen.

I put far more emphasis in my instructions on working through the reading materials, on the doing aspect of the materials, than I do on the academics. The reason is twofold. First, I need to see that the person is actually willing to join the religion not only in mind but also in heart and conduct. Second, I know that some of the material can be damned challenging if not near-impossible to navigate. I found Culture of the Teutons to be a very useful book, one of the best exploring luck, honor, hamingja, outlawry and the like in ancient Heathen cultures. I do not assign this book in the reading list. I had a hard time working through it, and while useful, many of the concepts within it can be effectively condensed into a talk, lecture, or workshop.

The difference between doing the homework vs consistently engaging in what amounts to amateur debates is part of what I see holds Heathenry back. We have experts within our communities both academic and religious. Rather than have each and every Heathen engage in what amounts to lifetime research projects, I would rather see Heathens and polytheists in general develop materials for children and adults who are becoming polytheists. In ancient times intensive studies would have been for ritual specialists alone. Ritual praxis, meanwhile, was on everyone. Everyone knew their roles, and there was little question as to who did what because traditions, including beliefs and ritual praxis among them, had been passed down the generations. If we are to be lived religions, then this approach is the one to aim for. My long-term hope is that the approach I take to prospective members of the Kindred becomes obsolete primarily through oral teaching and intergenerational transmission of the worldview, Kindred traditions, including the Kindred’s Heathen religion and culture.

Where to Start?

The start of right ritual praxis, aka orthopraxy, is in right belief, aka orthodoxy. Orthodoxy and orthopraxy form the ground from which polytheism grows and matures. The two concepts are not in opposition, but rather, affect and inform one another. Some very basic orthodox beliefs in regards to polytheist orthopraxy are:

  • That the Holy Powers deserve to be worshiped and honored.
  • That ritual is a good way to worship and honor the Holy Powers.
  • That well-done ritual foments right relationship with the Holy Powers.
  • That there are ways of doing ritual correctly and incorrectly.

Basic orthodox beliefs of polytheism includes the baseline of polytheism itself: the belief in and worship of many Gods, and that of animism: that all of Creation is, or potentially is, ensouled. Other beliefs would includes the foundational Sacred Stories of the Gods, Ancestors, and vaettir as we have them and/or are taught them. The Sacred Stories we pass on help to inform the content of our worldview and from this, our rituals.

Right belief is vitally important. Without it ritual is rendered without meaning. Likewise, right action is important. Without it, right belief is rendered without root in the world.

This does not mean that one’s belief in the Holy Powers must forever be ironclad. One’s belief in the Holy Powers may not be very strong or well defined. What needs to be strong is the belief that the Gods, Ancestors, and vaettir (spirits), the Holy Powers, are real and deserving of good rites. In regards to offerings, the belief that the Holy Powers are real and worthy of offerings is all one truly needs to begin, or begin again, to have a strong connection with the Holy Powers. It is why I recommend making offerings and developing devotional relationships to absolute beginners fresh to polytheism. It is not that the academic background knowledge of the Holy Powers are unimportant, but a matter of prioritizing the development of relationship with the Holy Powers over the development of the person’s collection of books and book-knowledge. Ideally, I would have the two develop hand-in-hand.

Developing Rituals

So if we understand that right ritual praxis is conducted from right belief, then, how do we develop rituals? Baked into polytheism’s cake is the assumption that the Gods, Ancestors, and vaettir are real and that They are active agents in relationship with one another, the world, and with us. How do They respond to us? Through divination such as sortilege and the reading of Runes, and through spontaneous forms of communication, such as omens or direct communion.

If we accept that the ways the Gods can communicate with us are many and active then it stands that some of the ways They may choose for us to develop rites will differ greatly from one another. With that said, what I lay out here are guidelines for the development of ritual.

Step 1: Determine the basic purpose of the ritual.
What is the basic purpose of a given ritual? Is it celebratory, offeratory, or a magical operation? Is it a very formal prayer, or one given to a Holy Power extemporaneously?

Step 2: Determine what the ritual is about.
What are the specific purposes of the ritual? Is it a celebration of a cyclical harvest festival? Is it a weekly offering to one’s household Gods? Is it a magical operation involving the Runes to a certain end, such as healing of a broken limb or protection on a long journey?

Step 3: Determine if there are special considerations for the ritual.
Are there taboos to be adhered to, special needs for spiritual specialists and/or laity, or specific requirements for the ritual to be done well? Are there to be certain offerings made, or a sacrifice to be held?

Step 4: Determine the set up of the ritual’s space, including boundaries, altar(s), and so on.
How is the space to be set up? Are there certain Gods, Ancestors, and/or vaettir who need to be present? If so, how? Is the ritual area completely inviolate during the ritual itself, or are people able to come and go as needed? If there are special methods for a person coming into/out of the ritual space, what if any means are there to mark the space and tools/instruments/people to make this so?

Step 5: Determine the order of ritual and the roles of spiritual specialists, celebrants and/or operators.
What kind(s) of purifications are to be done? How are the celebrant(s)/operator(s) to be prepared for the rite? How is the ritual to be blocked, if it involves certain prescribed ritual steps or dramatic enactors? How is the space to be held, i.e. festive, solemn, silence?

Be a Good Host, Be a Good Guest

If a rite is to be more contemplative, such as a meditation space, the ritual space may be more permissive in celebrants coming into and out of space. It may need more seating space, and different kinds of seating arrangements for folks with different mobilities, and potential body restrictions. If the rite is to be festive and wild, then the considerations of places that will be accepting of louder noise, places for celebrants to catch their breath, the provisioning of food and/or water will need to be considered. It may be that some celebrants or operators wish to be part of a rite, and have need of special consideration.

Not all celebrants/operators may be able to handle hours of dancing, but may still wish to participate in a wild, festive rite. Consider this in setting up the ritual that folks with mobility issues may need areas designated for them to be safe such as space for a seat and/or mobility aid, walkways, and so on. Consider that some folks have dietary requirements or restrictions, such as needing to eat at certain times or not eat certain foods, so be sure that everything food and drink wise that you have a list of ingredients for these things on hand so all your participants may be informed and safe. Most of these seem to be common sense, yet simple set up for seating in an especially long rite can be overlooked in the early planning stages and later bring great distraction to an otherwise well-planned ritual.

Clearly laying out the expectations for the spiritual specialist(s), celebrant(s)/operator(s), and/or guests is a must. It may not prevent a disruption in ritual, yet it can help mitigate issues as they come up in a ritual. Letting people know who to turn to if they forget a step, or how to say certain ritual phrases will make the ritualists jobs’ easier and make the rite flow smoother. That said, if people become disruptive or antagonistic to the rite, it is far better to eject a person than it is to try to keep soldiering on. Ignoring a disruptive or rude person may be directly insulting to the Holy Powers, or lessen the usefulness of the working at hand. At the end of the day, for the people involved being a good host to and a good guest is key to ritual going well.

The Small Details of Ritual

If a ritual is a a ceremonial act done in a prescribed order, then it follows that as many great details to figure out, there are small details to consider a ritual ought to go. Should cleansing be done with the right or left hand? Should one enter into ritual space on a certain foot? Should an idol be approached only by an initiated priest? Are there exceptions to these rules, where an idol which is usually only approached by a priest is shown to the laity?

Notice I said these details may be small -not unimportant. Especially as polytheists develop their own traditions of worship with Holy Powers the disposition of small details may become more important to the completion of a good ritual. There may be good reasons related to cosmology for offerings to be laid down a certain way. For instance, in offering to Gods of Muspelheim one may be directed to lay them down in a southerly direction, as in lore it is said that is where Muspelheim may be located. For Gods of the Underworld, or for those spirits who are located beneath the Earth, such as the Dvergar, placing offerings for Them in an elevated place may be insulting, so you place offerings on or in the ground for Them. Rivers may be seen as running throughout the Nine Worlds, and so, disposing of offerings into running water may be seen as near-universal for the disposal of offerings, or only for certain Holy Powers, depending on one’s view and relationships with the Holy Powers. Since all the Nine Worlds hang on or are within Yggdrasil, making offerings at a special tree serving as Yggdrasil’s proxy may be a good place for offering to any of the Holy Powers.

The consideration of the small things may be the entire point of a given ritual or magical operation. If the small things are unattended to, the rite may be spoiled or the operation fouled. Something as seemingly small as not setting down an offering in an exact order, or circumambulating with a censer or blessed water may seem minor to us. If our point is to worship and honor the Holy Powers, then even our small things need to be oriented towards this.

It is worth remembering that in many of our rites we are reenacting cosmological principles in even the small gestures we make. Going sunwise, then, is not just something we do in many of our Heathen rights because it is something we brought in from Wicca. The Sun, through Sunna’s chariot, brings the blessings of warmth, growth, and life through Her cycles. By not following Her rhythm in a ritual, say, to bless a garden, we may be bringing in other cosmological influences that are not in accordance with the rite. In this instance, by passing our hand over the garden against the sun or counterclockwise, we may be asking for Mani and the Moon’s blessing or Nott’s influence in darkness to vegetables that need a great deal of sunlight. The symbolism we employ, whether or not we realize it, is alive with meaning and import to each ritual, even, and sometimes especially in these small gestures.

The Roles of Divination

Divination and other forms of spiritual communication are a good part of how the balance of orthodoxy and orthopraxy is kept in polytheist religions. It provides direct communion and feedback with and from the Holy Powers. The methods of divination available to a diviner are likewise hooked unto orthodoxy and orthopraxy. On a basic level, the orthodoxy of divination, and divine communication in general, is that the Holy Powers are real, and can and do commune with us. The basic orthopraxy, then, is that in the act of divination we are open to change as well as reaffirmation of what has come before, both in terms of our orthodoxy and orthopraxy.

Divination serves a number of functions in the creation and execution of ritual. Among the uses for the creation of ritual itself are:

  • The creation of a ritual calendar/cycle.
  • For whom a given rite may be dedicated.
  • The timing of a ritual/series of rites.
  • Determining the proper order of a rite.
  • Determining the sacrifice(s) for a rite.
  • Who should be doing what before, during, and after the rite.

Among the reasons one may wish to divine during a ritual are:

  • That the set up for a ritual is good and acceptable to the Holy Powers, that things are in order for the rite to begin.
  • Checking in when an incident or accident occurs during the rite, such as someone being burnt during the rite to see that it is merely an error/accident and not a response by the Holy Powers to the occurence.
  • That the offering laid down are accepted.
  • That any messages the Holy Powers have for those gathered are received.

Divination itself is beyond the scope of this post. Like ritual craft, divination is a craft unto itself. Like ritual craft, divination requires you to do it to learn how to do it better.

Bringing the Rites Home

Generally speaking, a good chunk of ancient polytheist religion was lived in the home every day. It makes sense that the majority of polytheists today are in a similar boat. While folks may read everything above and think of it in terms of larger group ritual, such as a Kindred or similar group getting together, it matters just as much, if not more so, to the people in their homes. After all, if the majority of polytheist religion is practiced in the home, thinking about why and how we approach ritual has immediate impact on how we relate to our home cultus.

So why do rituals in our home? It’s where we live when we’re not working or running errands. It’s where our roots are set. Our Gods, Ancestors, and vaettir, then, should be where the roots of our lives are set. Many of us live in places where going outside to do ritual is impractical, lack an outdoor space which would be undisturbed and kept sacred to the Holy Powers, and/or lack a temple space outside the home. By necessity then, the home is where most modern polytheists do ritual.

For my family the rituals we do as a family the most often are prayers to our Gods each day, each meal, and each night. We have rote prayers we have memorized for these, both because when we started to do them it was far easier to teach than how to do extemporaneous prayers. Doing things this way provided a set of common prayers for how to address our Holy Powers, a common well that we draw from in all our home rites. We do weekly offering rites which incorporate prayers, gestures, and the giving of physical offerings, usually water, food, and/or alcohol. We may celebrate the seasons and holy days doing much the same.

The beautiful thing about polytheism is that no one’s home cultus has to look like another’s. The how of how we do ritual in our home’s is individual. While my Kindred and I share similarities in home cultus, it is unique to each of our families. For instance, our altar setups are different. We use resin statues from Paul Borda of Dryad Design for many of our Gods, whereas another family uses statues from Unicorn Studio. Many of our offering vessels are clay, wood, or glass from garage sales and thrift shops. Our representation of Gerda is a corn dolly that came from a thrift shop with a wooden rake in her hand.

We also place different emphasis on different Gods depending on the household. In our home Odin and Frigga are the head Gods we worship and offer to, and then we offer to the others. Thor and Freyr may be the first Gods in other Kindredmates’ homes. Even between members of our family we have different emphasis on different Gods, even though we collectively worship the same Gods. Our son, for instance, has an altar to Thor and the housevaettir in his room that he takes care of on his own, while I emphasize Odin in my own practice and time where we do not worship as a family.

What unites us as a family and a Kindred is a shared worldview where the Gods, Ancestors, and vaettir are to be honored and worshiped, and shared ritual structures. What each of our Kindredmates does in our own home will have variations from each other depending on some combination of our relationships with the Holy Powers, what we have to carry out our rites with, and what we are able to do.

The Unfolding is Ongoing

As Heathenry and the Northern Tradition Pagan religions are lived through, rather than merely being set down in a book or series of books, orthodoxy and orthopraxy are continuously unfolding. Sometimes certain orthodoxy are held throughout one’s life and continue on through the generations, such as the Holy Powers being real and worthy of worship. Likewise, orthopraxy such as the giving of offerings for the Holy Powers are held right along with them. Some orthodoxy, such as the belief it is wrong to offer certain things may come to fall away with orthopraxy of divination to determine what are good and right offerings.

In the polytheist understanding of orthodoxy and expression of orthopraxy is that we are in living relationships with our Holy Powers. There is reciprocity consistently between ourselves and Them, lived in every thought we give to why and how we do what we do, and in the doing of the thing itself. There is reciprocity in the asking of “what should we do and how?” and following up on those questions. Why we do this is to live in good relationship with our Holy Powers. How do we do this? Eventually, all comes down to our relationships with the Holy Powers and Their impact on and in the lives of our communities, our families, and ourselves. As our relationships unfold with the Holy Powers, so too will our orthodoxy and orthopraxy, and along with these, our worldview and ritual praxis unfold.

We will explore how one can start to worshiping the Holy Powers in the next post.

The #DoMagick Challenge Day 24

January 3, 2018 2 comments
Othila

Othala (Wikimedia Commons)

Today I did galdr with Othala.

Today I was distracted internally quite a bit.   I did extra cleansing, and emphasized deep breathing even more, doing deep breath work up to nine times in a row before moving on between parts of the galdr work, and 9 times between each round.  It did the trick.

In the first round of galdr, the first part I experienced with an ancestral home of some kind, possibly ancient Ancestors as I did not recognize the landscape at all except that there was a grove or forest on the land.  The land was mostly plains or expanses of grazing area.  I felt very at home there despite the lack of a standing home.  I remember some kind of mountain or rocky outcropping nearby.  The next part of the galdr I experienced standing before an Ancestor’s grave.   Then, as I looked at the grave, the land around me changed and I found myself standing still but the scene around me changing, as though someone had hit ‘shuffle’ and was standing in a lot of different graveyards simultaneously.  The last part of the first round I was standing outside in my grove at the home I’ve lived at most of my life.

In the second round of galdr, the first part I felt compelled to sing with a high note, and suddenly felt the crush of Disir around me.  I knew some of Their voices, and heard others’.  The next part of the round I had an even tone, and Ancestors of my lines came forward, all speaking excitedly, some talking to each other.  The last part of the second round, I sang the Rune in a deep, resonating voice, and the Väter arrived, in similar fashion to the Disir.  It was being utterly surrounded by the Ancestors…and it felt very warm, familiar, and safe while also feeling like a bit of a kick in the ass.  In this month I will start doing small, 5-15 minute sessions of prayer each day for the Ancestors.

In the third round of galdr, the first part I saw how to bring landvaettir into one’s own fold.  Making oneself and the particular landvaettir or landvaettr part of each other’s Ancestral lines.  I will not describe what I saw or how to do it here.  It seems…improper to do.  The next part of the third round I saw how to honor landvaettir of the place one lives in, especially land that is inherited and is truly Ancestral land.  In the last part of the round, I saw how to inter the Dead into the land, to bring the land and the Ancestors together in the mound.

I did quite a bit more cleansing with the Sacred Fire and a few more prayers than usual this time around.  When I came out of the Runework headspace, I felt quite clean, and very good.

Link to the Daily Ritual for the Challenge.

#DoMagick

The #DoMagick Challenge Day 7

December 8, 2017 Leave a comment
Gebo

Gebo (Wikimedia Commons)

Today I did galdr with Gebo.

As before, I smoked Großmutter Una to cleanse and prepare myself.  As before, I did the prayers to prepare and flowed into a good, clean whole self when I did.  Given it had snowed I had some concern I would not be able to handle the cold with the wind for very long, but I felt urged to go outside.

Breathing before the first round of galdr was sharp, but the wind had a kind of cleansing feeling to it as cold as it was.  The cold bit the tips of my fingers and my ears.  For a few moments all I could feel was that cold.  As I breathed through, long and slow, I concentrated on Gebo, and galdred It in a long, warm tone.  I felt like I was put before a hearth fire, someone welcoming me in.  The exchange of greetings, a handshake, a seat offered.  I spoke with the host, about what escapes me.  The point, I think, was the exchange of hospitality for news and companionship.  The proper respect between guest and host.

It was then I felt I had to go inside.  My fingers were aching, and so were my ears.  The wind was picking up.  I went into the garage, my right hand tight around my pipe, taking long, slow, cleansing drags as I entered.  I breathed and I was already warmer despite the garage not being heated.  Thankfulness for shelter washed over me.

The next round of galdr was more deep, animal almost.  The things we needed gained through trade, work, sacrifice.  The warmth of my trenchcoat an animal’s skin, the pipe a tree’s body.  The give and take of predator and prey, of farmer and field, of animal and slaughterer.  Right relationship.  That affirmation of right relationship sang to me throughout the galdr.

After I took several moments to cleanse and breathe, the third round of galdr began.  The first of the three galdr was high in pitch, singing to the top of the Tree and the Gods, Ancestors, and vaettir, the Holy Powers, there.  The next was milder, singing to the middle of the Tree and the Holy Powers there.  The third was deep, bass, singing to the bottom of the tree and the Holy Powers there.  Each world brought with it a flood of images, many I am still trying to sort out.  What I do remember is a cup of mead, the blood of a blót, a bottle of beer poured on a field, water on a tree.  Standing, kneeling, prostrating before different Holy Powers.  Offering a blood sacrifice, a blót, to the Runes was the last thing I was left with as I finished the last galdr of Gebo.

As before, I made prayers of thanks to Rúnatýr and the Runevaettir.  As before, I cleansed and then cleaned my pipe to come back to normal headspace.  I am grateful for the cup of coffee my wife made me.  Gebo between us.

Link to the Daily Ritual for the Challenge.

#DoMagick

Remembering the Warrior Dead

November 2, 2017 Leave a comment

You lie in a fen
Shield cloven beside you
Sword bent

You lie in a field
Gun beneath you
Magazine empty

You lie in a mound
Spear beside you
Descendants gathered

You lie in a grave
Polished oak embraces you
Quiet rest

You lie in every soil and water
Every place given your body and blood
All hail the Warrior Dead

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