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On Níðhöggr

November 19, 2018 1 comment

A while back I was asked to share my understanding of Níðhöggr by a fellow Heathen. Vikings of Bjornstad lists the meaning for Níðhöggr’s name as ‘Malice Striker’. The first section of the compound name, níð, is related to malice, insult, and strife. The second is related to beheading, striking, blows, or chops. Not much survives on this dragon/serpent survives from the lore. Among the places to look for Níðhöggr are in the Prose Edda, both in Gylfaginning and Skaldskarpamal, and in the Poetic Edda Grimnismal and the Voluspa. While the lore refers to Níðhöggr as male, my interactions with Níðhöggr have leant me to understanding the dragon as female.

I relate to Her as a God of Rot and Death, and a God of the Gravemound as well, especially seeing interlinks between the rotting of death and the eating of poison. My family’s compost heap is dedicated to Hela and to Níðhöggr, as we see Níðhögg as eating the poison of Yggdrasil and the making of it into the healthy new earth that is renewed. The gravemound takes in the Dead and the new growth results within it, holding the power of the sacred items deposited within it and the new growth above.

Most of my understanding and beliefs regarding Níðhöggr is from direct experience of seeing Her and interacting with Her. When I was saw Her, She was chewing the corpses of the Dead, taking the poison of Their lives, Their misdeeds. She does the same with the root of Yggdrasil She chews on, not to damage it, but to prevent poison that is collected in Helheim and the Nastrond from killing It.

A powerful insight of dragon symbolism, at least in terms of how I see it in Norse/Germanic/Scandinavian culture/myth is that part of their destructive nature is what they sit on. In Fafnir’s case it is his bed of gold and the greed associated with it. In Níðhöggr’s case She is lying in the midst of traitors, oathbreakers, and is sitting with the rot and poison of Yggdrasil’s root. She chews on the traitors, oathbreakers, and outlaws, as well as the root of Yggdrasil. One of the passages in the Voluspa says She sucks the blood of the slain. I see Her doing similar, chewing and sucking on the poison in the root of Yggdrasil, removing the rot so it stays healthy. It also explains why Her/His hall is the Hall of Serpents dripping poison because that is Níðhöggr’s environment. My fellow Heathen likened it to a poison dart frog, and I think that’s a fair reading of Her too.

It is telling that the only time She emerges in myth is during Ragnarok and She isn’t destroyed, but takes up roost again beneath the ground. I find Her very purifying, as She has been in the midst of all that rot, poison, and uncleanliness, and yet, She has not lost Herself to it. She engages with this Work before and after Ragnarok. She is rejuvenating and dangerous, the Chewer of Corpses and Warder against Poison. As outlaws and traitors were among the worst one could be, and both were put into the utgard of society, I see Her as a boundary-keeper since She gives these dangerous and vile Dead a place to go to be contained, chewed, composted so they do not harm the community or rest of Yggrasil. She is the God that chews the rot beneath the Tree, rejuvenating both the root and the soil in which Yggdrasil’s root rest; necessary and holy.

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Reykr of Una

November 12, 2018 Leave a comment

Prayers are whispered

Charred cloth over Mugwort

The flint strikes the steel

Again

Again

Again

Finally, a spark

The cloth catches

Careful, careful

Breathe the offering of ond;

soft, quick little puffs

A prayer of thanks

Smoke unfurls

Großmutter Una’s body is pressed into red orange

The reykr is made

Holiness rises

Reflecting on Doki Doki Literature Club, Servitors, Egregores, and Vaettir

November 12, 2018 Leave a comment

My thoughts today are in great part being spurred on by the visual novel game Doki Doki Literature Club. If you have not played it, I heavily recommend doing so unless you are easily disturbed. It has content warnings in the startup of the game for a reason. A fair warning: from here on in I will probably be discussing spoilers. I heavily recommend you play the game before reading this post, since the guts of it came after watching Let’s Plays of this game.

Note: I began writing this months ago and it has sat in my Drafts folder for awhile, mostly finished. I finally got around to putting some finishing touches on it, and I may come back to this idea sometime later.

Read more…

100 Years

November 11, 2018 Leave a comment

100 years since the signing of the Armistice.

100 years of silence and bells.

100 years since the end of World War 1.

The years that made our world what it is. The years that changed so much, that shaped so much. How to approach such a day?

With solemnity. With gratitude. With honoring. With remembering.

To the Warrior and Military Dead who sacrificed all they had to give.

To the Warriors and Military personnel who gave all they had to give.

To the families who never saw their loved ones again.

To the families that did.

To the lands that still bear countless scars of trenches and powder, artillery and countless bullets and the blood of all the Dead.

100 years and so many lives have passed that a great forgetting is coming over the nations.

We honor in remembering. In remembering the Dead live.

78. Cattle die, | and kinsmen die,
And so one dies one’s self;
One thing now | that never dies,
The fame of a dead man’s deeds.

Havamol, translated by Henry Adam Bellows

Some resources:

Dan Carlin’s Hardcore History: Blueprint for Armgageddon

Part I, Part II, Part III, Part IV, Part V, Part VI

BBC Four: The First World War

BBC 26 Part Documentary on World War 1

Thinking on Polytheism and Media

November 11, 2018 6 comments

I thought this would be a fun topic to explore as I’m working on finishing up the On Ritual Praxis series of posts.

So much of my thinking on media has been shaped by a key number of factors, including my own perspective as a polytheist, my consumption of and conversations around media with family and close friends throughout much of my life, the books Narrative Medicine and Coyote Medicine by Dr. Lewis Mehl-Madrona, and looking at various video bloggers such as Bob Chipman aka Moviebob or Lindsay Ellis on the role of media in modern life. I use the previous two video bloggers as jumping off points for a lot of thoughts on the very topic of this post because they give nuanced and comprehensive looks at the material they review, and both acknowledge biases they carry up front.

Media is a shared source of culture. It is the music, podcasts, and audio novels we listen to, the news, movies and shows we watch, the books, magazines, and papers we read, and so on. Rather than attach polytheism to an aesthetic, style, genre, etc, polytheist religions and their adherents embrace many Gods, and right along with this embraces many forms of media, and its attendant aesthetics and styles as well. Each kind of media we have the ability to engage with has the capacity to connect us, to enforce or renew our connections, to deepen our relationship with our polytheist religions, Holy Powers, and one another. It’s other edge is that it can do the opposite.

Right now my ears are filled with Flykt’s Forndom as I write on this phone. Much of my playlist is filled with works of similar music, including Wardruna, Heilung, Hagalaz’ Runedance, and Paleowolf. I lean to furs and leathers in my winter dress and t-shirts and shorts in the summer, usually with some kind of geek/nerd or religiously meanginful iconography on the shirts. Folk music and polytheist-oriented podcasts or Great Courses audibooks fill my ears most often. Among the shows I watch are the Marvel Netflix series, anime such as Princess Mononoke and Wolf’s Rain being among my favorites, and documentaries about history, religion, technology, and science. My wife recently turned me onto the English Heritage channel and the BBC series Tudor Monastery Farm on Youtube. I play video games as diverse as The Walking Dead, Civilization, Final Fantasy, and Battlefield. I am a long-time tabletop RPG player, DM, and storyteller.

Despite my various forms of engaging with modern media, as a polytheist I often find myself frustrated. Media’s modern incarnations are so often geared towards the marketing of lowest common denominator material that its overall contribution to the positive development of society has been, and will likely continue to be debated for a long time. Set that aside, and most of the media made is not made for polytheists and much of the media makes that quite clear up front. Modern media is part of culture, and any part of media has a hard time breaking away from the mindset in which it is based. Modern American media, as modern American culture, is so mired in a Protestant Christian mindset, arguably the most toxic elements of Calvinism and Puritanism being its largest holdovers, that it seeps into many space in which there are actual diversities of work taking place.

The last video game I remember playing in which a polytheist religion figured prominently in the plot was in Mass Effect 2, where one of the squad characters worships many Gods as a matter of course and his gods and relationship with them explored in a generally respectful manner. In many of the books that I read polytheism is simply part of the landscape, such as the Jim Butcher Dresden Files books, or American Gods. These two both come with their own caveats. In a funny twist Harry Dresden has interactions with many Gods, but in this he draws a distinction between his interactions with Them and with his friend, Michael Carpenter’s faith as a Catholic, in that Harry does not need to believe in these Gods. They just exist, and his jury is out on Carpenter’s Catholic God. Despite being surrounded by Gods, and in some cases having contractual relationships with different Gods and spirits, Dresden never commits to worshiping any. This is not a problem in and of itself, but Dresden never comments on any but a Native American medicine man/wizard character working with spirits in a relationship rather than transactional way. No one in the Dresden universe has ever to actually have been shown to worship Gods, despite how much They show up and have pull in many of the plotlines he is involved in.

American Gods subordinates the existence of Gods to living through Their worshipers. The central conceit of the story is that Gods are real and live, but their ability to live and affect reality is enabled through the minds of their worshipers, the memories their descendents carry, and through the offerings that the few who believe in Them give. Where Dresden is an agnostic, Shadow is wandering into a world full of Gods, both ancient and modern, blind. As an audience surrogate to start with, he is not bad. Gaiman could have done far, far worse. Shadow struggles with doubt and disbelief in ways familiar to many of us who worship Gods, and his path in the book is similar enough to how I began working with the Old Man that the first time I picked up the book my jaw dropped at some of the parallels.

As a polytheist my view is that both works suffer from positioning the Gods as real, but their worshipers as unreal or utterly absent. As neither Butcher or Gaiman seem to engage the Gods and Their worshipers as being real in their respective works the polytheist view is utterly lost to agnostic points of view embodied in Dresden and Shadow respectively. Are the Gods real in these works of fiction? The simple answer is “Yes”, and the more complicated answer is “Real in what sense?” Butcher’s Dresden universe seems to treat the Gods as real Beings with Their own motivations, some at loggerheads with each other and others in cooperation. His view of the Fae is that They have control and power over/with the forces of nature, and His view of Odin is that the Einherjar are real, and the Wild Hunt actually features in one of his books in a really cool way. The Gods do not lack agency, power, or ability to influence the world in his books. However, Butcher’s development of monotheist characters like Murphy or the Carpenter family without any development at any time of polytheist characers or families shows the operating mindset that Christianity and agnosticism are the default worldviews even with the massive amount of Gods and spirits sprawling through his books.

Gaiman does treat the Gods as real with Their own motivations, views, and conflicts. However, his central premise (Their existence relying on worship) robs Them of being understood in Their own terms. His New Gods, such as Media and Technical Boy, are counted as Gods as well, with sharp divides between Old and New, and the dynamics of these relationships are the lattice on which the plot is built. Yet, his treatment of America is that America is hostile to Gods, that They don’t really have a place here. The one time a Pagan is featured they do not recognize Ostara standing right in front of them, nor recognizes the meaning or impact of Her Day. Granted, when I read this part I grinned like a damn fool since I have heard almost the same thing come out of Pagans’ mouths word-for-word, so Gaiman’s strawperson here clearly isn’t built up out of whole cloth. However, at no point is there a contrast to this person, at no point is a worshiper who keeps good cultus brought forward.

For all that the Gods are treated as real in these stories, we polytheists are non-people in these stories. Despite this glaring flaw I do like American Gods and The Dresden Files quite a bit. It is unfortunate that both works have these flaws, not only because I enjoy these stories, but also that these two are front-runners of urban fantasy fiction. These two have set the tone for many of the urban fantasy series in existence now, with many taking far more liberties with the abilities of their various protagonists’ powers, and more liberties with the reality and abilities of the Gods. Where both Butcher and Gaiman in their works seem to have respect for the Gods even if both are agnostic in regards to Them, more urban fantasy fiction seems to use the Gods rather than have Them as part of the reality of the world their characters are in.

My issue is not with fantasy, urban or otherwise, but with the treatment of Gods as mere characters for plot advancement. It seems many authors do not think through the impact that having many Gods takes on a people, most egregious in fantasy settings. A basic example is a story with a forest God in it. If there is a God of the forest it should make an impact on how the local village would interact with the forest and its denizens, festivals, etc. If polytheism is the default for a fantasy world it should have impact on how characters think, act, fight, fuck, marry, work, worship, raise kids (if they do) and express themselves. Many forms of media, not just genres of writing, could use some healthy polytheist mindsets and attitudes not only in terms of worldbuilding, but focus of plot, worldview of characters, and so on.

This kind of critique carries into any creative media where writing or messaging is a key factor. I do not just want more representation in media of polytheism, I want good representations of polytheisms in media. Whether a work of fiction takes place in our world or another, media does impact how we are perceived and does impact how we ourselves can see ourselves. As the saying goes, “Representation matters.”

Yet, we also need to be careful of taking too much of ourselves from media. Most media is made to sell. That which isn’t are often labors of love, thankfully more being supported through platforms like Patreon, YouCaring, GoFundMe, and similar. To my mind these platforms are powerful ways polytheists can support one another without resorting to dumbing down our ways of thought or the messages we may be asked through our work to bring into the world. Certainly, Bob Chipman and Lindsey Ellis use Patreon as their primary source of income so they can do their work on Youtube. Jim and I’s first podcast, The Jaguar and the Owl, had its costs taken care of by our Patreon supporters.

If we support polytheists in their various ways of making media then our media has more reach and better ability to actually be done and make an impact. An artist will be able to fully commit to their art because they are able to focus on it. An artist only able to do their art part-time because they have bills to pay with a full-time job will have a harder time producing consistent quality work. If we want quality work, whether that is art whether digital or physical, leatherwork, woodwork, yarnwork, video, the written or spoken word, music, workshops, audiobooks, or podcasts, we need to support that work.

A starving artist is one concentrating on trying to get their next meal rather than writing their next book, painting their next painting, or knitting their next project. People suffer more than enough just with the work needed to get to making quality media. This attitude that suffering should accompany media is actively unhealthy and halting a great many people who could be putting themselves to working on something of quality.

It is not just the media we passively consume that we need to be mindful of. We also need to be aware of the stories we tell ourselves. When I play D&D, Shadowrun, or a White Wolf game, I run each setting as a polytheist with polytheist assumptions. As much as D&D has contributed to folks thinking about God purely in terms of functionality, i.e. this is a God of Healing, even D&D has gotten better over the years for expanding on and giving the gods of their worlds mythology for characters and players to dig into. A creator god of the elves in the Faerun setting, Correllion, has an active conflict with Gruumsh, the creator god of orcs. This plays out into gameplay, potentially between player characters (PCs) and certainly between PCs and non-player characters (NPCs). At least since the beginning of 3rd edition, gods in D&D have become more fleshed out. Granted, they are still boiled down in stat blocks, being “God of this” and “Domains for clerics are this” and “alignment is this”. For instance, in alignment Corellion and Gruumsh are chaotic good and chaotic evil respectively.

Being mindful of how we consume our media and how we portray gods through it, even fictional ones, can better portray what a powerful impact a polytheist mindset has on the denizens of a given world and in turn give better representation of a polytheist mindset and its impact to one’s players. What does this matter, though? Isn’t this just something we pass the time with? Sure, as with any media some of it can be mindless consumption, but what we are engaging with we are bringing. It does us good to think on the impact that such consumption and sharing media has on us. Roleplay especially is impactful because we are not passively engaged in someone else’s story. Truth be told, if we are actively reading we are not passively engaged in that, either. Humans roleplay and make stories all the time, so the stories we tell ourselves have impact. Far better we take in and engage with stories in which our voices are heard, understood, respected, and engaged with.

There’s a lot of intersection between polytheists and various media just looking at my own interests that I’ve written about here. Rather than keeping our Gods and our views to ourselves, I would see us expand the people our works touch. To this, I don’t mean boiling down our beliefs to something easily digestible to the lowest common denominator. I mean that whatever our creative interests or engagement with media we make conscious choices so our religions are part of them. Some of our views will be deeply challenging to dominant paradigms just on their own. Being polytheist in and of itself is transgressive because our identity is wrapped up with believing in and worshiping many Gods, Ancestors, and spirits.

I blog, I podcast, and on occasion I make music and Youtube videos. I recognize that for all the good I may do there I am, by and large, talking with my own people. Some media is just going to do that. There is nothing wrong with that. When it comes to developing and exploring ideas in/of/to our religions many of these conversations are only relevant when in dialogue with our fellow polytheists. Even so, I think polytheists could do with being more forthright in our exploration, engagement, and creation of media so that our religions, norms, communities, and we ourselves have more representation, say, and impact on the societies we live in.

There’s a few reasons for why I would like to see this happen. Practically, the polytheist communities are quite small compared to the American population. Yet, if folks can blow thousands of dollars on various media there is no reason I can see that we cannot or should not tap into that as well for our own purposes. Further, so long as we are not in control of our own messages others will be. Polytheists producing and disemminating our own media is part and parcel of wielding power and influence. We can change perspectives by actively engaging in the public spheres as polytheists. Engaging in this way can deepen dialogue, develop perspectives, and open channels of communication between our wider communities and with one another. Engaging with the wider sphere of our cultures through media of all kinds allows our views to be heard and allows for change to take place, great and small, whose course we help to directly influence.

On Ritual Praxis -Hearth Cultus

October 21, 2018 1 comment

In the Beginning to Worship post I asserted that polytheisms the world over are first based in the home. This is referred to as engaging in hearth cultus and are often contrasted with state or communal cultus. The word cultus itself relates to “care, labor, cultivation, culture; worship, reverence”. The root of this word in Proto-Indo European, *kwel-, relates to “revolve, move around; sojourn, dwell”. The hearth cultus and temple cultus, then, are places where culture and religion come around to live and be cultivated, and are among the centers where worship and reverence take place.

Because a hearth cultus forms the heart of polytheist religions, it must have the backing of a solid worldview as to what the Gods, Ancestors, and vaettir are, and what and how these Holy Powers are offered to, the hearth’s relationship with the Holy Powers, and how the hearth relates to the cosmology of the religion. Sacred space within the home is established through the acts of cleansing a hearth and setting up a vé, a sacred place for the Holy Powers, whether it is on a physical hearth such as a mantle, the only dresser in a dorm room, or in the heart of a home on an altar. Hearth cultus is engaged in the hearth in both formal and informal worship, and in engaging in divination to determine offerings, questions related to development of personal and hearth cultus, and communication between the Holy Powers and the hearth. All come together in the establishment, carrying out of, and passing on of a hearth cultus.

The center of the home has switched a bit for modern America. In the interim since actual hearths and their fires were the center of the home, literally, metaphorically, and spiritually, the role of the hearth has been split in most modern American homes between the living room and the kitchen/dining room. The living room tends to be where we enjoy one another’s company, socialize, engage in festivities like Yule gift-giving or New Year’s celebrations, and play. The kitchen/dining room is where we prepare our daily meals and eat, talk about our day, and spend a good deal of time together as a family. When the table is cleared sometimes we use this space to do homework, pay bills, play boardgames, or engage in feasting festivals like Thanksgiving or one of our harvest holidays, i.e. the Haustblot. It is unlikely any two hearths look alike for cultural/religious reasons or for the physical layout and needs of a given hearth. Still, most share commonalities of function for the hearth and its members.

The Microcosm and the Macrocosm

A given hearth’s sacred space is both its own space and a reflection of how a hearth relates to its cosmology. This is why a firm understanding of worldview and sacred stories is needed for any polytheist’s development, let alone any cultus. How we relate to the Gods, Ancestors, and spirits of our cosmologies are important questions because it forms the core of who we are and why we do what we do. The worldview of the hearth is how the hearth is formed to begin with, how the members conduct themselves within the hearth, and how the vé of a hearth are made and maintained.

In setting up a hearth some questions need to be answered. Many of these questions were asked back in the post On Ritual Praxis -Beginning to Worship and serve as guides going forward.

The first question of any hearth is: What is a hearth’s place cosmologically, both in terms of representation of the larger cosmos and in terms of on-the-ground worship, reverence, and life for those who gather around it? How do members of a hearth relate to Fire Itself? How do the members of a hearth relate to Gods of the hearth? All of these are powerful questions, as each is intimately related to the kind of place the hearth itself occupies in the heart of a given home.

What Holy Powers are worshiped, revered, and called to in a hearth and how its cultus is shaped depends on how these questions are answered:

What are the Holy Powers and how do we relate to Them? Are there certain directions that are sacred to a given Holy Power, and if so, what are they? What Holy Powers belong in or to the hearth vé? How does the religion relate to Fire and Holy Powers of Fire? Are there established ways to light Sacred Fires within the religion? Are there Holy Powers that should not occupy the same spaces or be close to one another? Should some Holy Powers occupy certain places in a hearth not on the vé at the heart of a hearth, but in some other place such as above the stove, near the front door, near a source of running water, etc.? Are there specific ways each family member relates to the hearth and its keeping?

How the hearth and any vé besides the hearth itself are made and maintained depends on these:

What are the vé or equivalent sacred spaces in the religion? Are there traditional methods in existing sources as to how they are erected, or will new traditions around constructing one need to be made? Does the making of a vé differ whether it is an altar, shrine, hearthfire, and/or mantle? What are the right ways to treat the places where vé are kept? What offerings are good for making in vé? If a vé is at the heart of a hearth, such as above a fireplace or stove, or in the living room or kitchen, does it hold a special place for the family and in the culture/religion of the hearth? If so, what role does a given hearth member take on in relation to the vé?

These are how my own hearth answers these questions.

What a Hearth Is

The hearth is the heart of a family, or writ larger, a Kindred, tribe, or other similarly organized community group. It is where cleansing and purification begins, whether through Fire Itself or through the lives of sacred herbs such as Großmutter Una. It is where sacrifice takes place such as through the offering of Grandmother Mugwort or other burnt offerings, offerings of food which are consumed by the hearth fire or made outside, or where sacrifices and/or tools to make sacrifices are made sacred for their work.

The hearth is placed in an enclosure of Earth, whether it is outside in my family’s sacred grove firepit or in my Kindred main meeting home in a fireplace. The lighting of the Fire brings to mind the sparks that melted Nifelheim, and so, made our lives possible by allowing Ymir and Auðhumla to move about. The lighting of the Fire is also one made in honor of our Ancestors. Once kindled, the hearthfire is the boundless energy of Fire given bounds by Ice, in this case the entropy that occurs as heat and light is given off in the burning of fuel, and contained by Earth in which the Fire is housed and whose fuel Fire burns. Water results from the Ice melted and pushes to the surface of the burning log/Tree, and wisps of smoke from the log and any offered herbs continue the sacred burning of Fire Itself and Air from the smoke of the log and/or herbs. Each Fire is related to Muspelheim and each log to every tree, so we engage in the cycle of Fire that burns the Earth from which we come so that heat and light can warm us and shine on us, take in our offerings, and take up our prayers to the Holy Powers, including Fire Itself and each individual Firevaettr that comes to rest in our hearth.

So, each hearth made and each hearthfire lit is a living recreation of the Creation Story. Each hearthfire lit is itself connected with the First Fire and is a vaettr, a spirit, unto Itself. Each log burned is itself an offering of the Earth and we give offerings to Fire, Earth, and every other element involved in its lighting. In the midst of all this, a hearthfire is also a signal of cleansed, holy space to the Gods, Ancestors, and vaettir, and an invitation for all of us to come closer.

Personal and Sacred

Hearth cults are diverse, whether due to personal relationships a hearth has with its Holy Powers, the land one lives on, or any number of personal factors. A hearth cultus for a lone college student living on campus will look utterly different from that of a family on several acres of land. This diversity should be embraced.

Having been on both sides of this, restrictions can abound for college students that don’t exist for folks in a home. A prohibition against candles will mean that, instead of turning to a lighter or matches, one will probably turn to LED candles to represent the glow of a hearthfire. There is nothing inherently wrong in this; after all, electricity is a form of Fire. Some folks live in homes where size restrictions means that at most LED or tea lights will be the only sources of fire beyond, perhaps, the stove. Whatever the location of a hearth’s vé, the place will need to be undisturbed by animals and respected by those who will be in its presence. If the vé needs to be temporary, only pulled out when actual ritual is going on, then its holding place should be one held in sacred regard.

What matters for a vé is not the size of it, but that it is a place of good and sacred contact between a Heathen and their Gods. Even if the container for one’s hearthfire is a small tin, containing only an image of the Holy Power(s), a tea light, some matches and a small bowl for offerings, this will be enough so long as the Holy Powers are pleased and the cultus can be carried out with reverence. When I first became a Pagan I had a vial with five salt crystals to represent the Five Elements in my rituals. My altars grew from these small beginnings into the altars over time seen here, here and here. My mobile vé for conventions tends to be my collection of prayer cards, an offering vessel, and maybe a few representations of the Holy Powers otherwise. What matters it that you have the means to cleanse the vé, make some kind of offering, and have a container for the vé itself. This is where the map of lore meets the territory of being for Heathens. We bring forward as much as we can, learn as much as we can, and it is here, in hearth cultus, where we put all of this into lived relationship with our Holy Powers.

Making a Hearth

Cosmology, including what directions are sacred and why, what Beings related to the hearth, Fire, etc., need to be known in order for a hearth to become established. A hearth is the culmination of the macro and the micro of a cosmology, the welcoming in of Holy Powers, and establishment of sacred space. Without understanding why it is important to establish a hearth, what establishing a hearth itself means, or the importance of cosmology, myth, and how we relate to the Holy Powers, especially Fire Itself in the creation of a hearth, there is no structure for establishing a hearth nor how to do it. Without these bones there is no point to a hearth, no sacred direction to place it or space one may make it. Without the foundation there is no point to making a hearth. Without meaning behind it, then, there is no hearth.

A hearth is the central sacred space of a home.  For many of us, having a physical hearth is an impossibility.  So how do we bring in the hearth for hearth cultus without a fireplace?  Candles are one way, whether they are burnable or LED.

Are there traditional methods we can see in how to erect a hearth? We can look at how the ancient cultures Heathens erected their homes, and what information remains to us from how their own hearths were established. Most of the information useful to this goal will not be blatantly stated. Given that most of what is available to us in lore is relevant to rulers, not the average ancient Norse, Anglo-Saxon, etc, and given the sources are mostly for skalds and poets to read aloud or for instruction, much of the establishment of modern hearth culture will need to be derived from what we can find for the hints at mindset and worldview in the sources, and from there our own intuition and interactions with the Holy Powers.  A simple example is the centrality of the hearth from lore and archaeology. What remains to us is acknowledgement that the path of the Sun was sacred, and so East is a good candidate for a vé to face or be placed in.

As with a great many things, where lore and archaeology tell us little or hint at things, modern Heathens will need to make our best guesses, do divination, and be willing to correct ourselves when new information rises.  Likewise, the practical needs of any given space will need to be taken into account as well.  Even though the East is a good candidate for a vé to face in, my family’s Gods’ altar stands in the North before the only window in the room.  This table has the best space so our Gods’ representations and offerings are not crowding one another and best fits in front of the window.

Since we do not own the home we are living in and our altars are all upstairs, our vé hold primary places for us in the family, namely our bedrooms.  Were we to be living on our own I imagine the different vé we worship at would be spread over the home.  The Gods, Ancestors, and vaettir we hold the closest cultus to might be in a central vé, such as above a literal hearth on a mantle, or on an altar in the center of the living room.  The making of a vé does differ, as a literal hearth at the center of our home would invite variations of ritual that our current set up does not.  If our vé were on a mantle we might not have an altar cloth, or if we did it might be made of very different materials such as pelts/fur and/or heavier cloths.  Our current Gods’ vé is adorned with different colored cotton cloths marking the different seasons.  Sometimes we change our Ancestor vé cloth colors as well to mark the seasons.  We have small heat-resistant stands for when we burn candles, incense, reykr, or offerings.  Given we are in bedrooms and the smoke alarms are very touchy we do not tend to light candles or burn much in the way of offerings or reykr.   This would this change with having a hearthfire, and so would the care of the ashes.  Living on our own, we might collect the ashes of the hearthfire to use in crafting sacred things, such as soaps for cleansing or in leatherwork for fur removal.

Our hearth cultus centers around the Gods, Ancestors, and vaettir we are closest to.  For each of us that differs with our individual relationships, but for both our family and our Kindred it is Oðin, Frigg, Freya, Freyr, Gerða, Loki, Angrboða, Sigyn, Thor, Sif, Mimir, and Hela for the Heathen/Northern Tradition Gods.  Other Gods of our family hearth are Brighid, Bres, Lykeios, Lupa, Bast, and Anubis.  For our Ancestors we give cultus not only to our blood Ancestors, but also to the Ancestors of our lineages, such as the spiritworkers who came before me, and to those who have inspired me over the years such as President Franklin Delano Roosevelt.  Among the vaettir we hold cultus for are the landvaettir and housevaettir.  Each of us also tends our own personal vé to different Gods, Ancestors, and vaettir.  We engage in our hearth cultus daily, including night prayers and offerings at the hearth, and at the dinner table with meal prayers.  We also occasionally share in ritual celebration of different holy days around our hearth, or with the Kindred around its hearth.

An Example of Daily Hearth Cultus

My family’s daily hearth cultus tends to be quite simple. Most of our hearth rites are some variation on this:

  1. Begin by cleansing.
    1. Most nights we do this by deep breathing three times, expelling the dross of the day out of ourselves and away from the vé, and breathing in good, clean air so we concentrate on the prayers and offerings we are going to make. If we have had a particularly hard day, if we are in a time of powerful transition (such as after a funeral or during a holy tide), if a ritual calls for it, or if it just seems time to, I make a Sacred Fire with Großmutter Una, making reykr over all of us, and the vé. We may pass a lit candle in a similar fashion to working with Grandmother Mugwort, or work with both Fire and Großmutter Una together, passing them over the vé once or three times in a clockwise fashion around the altar. The number 3 is one we recognize as holy, and clockwise works with the turning of Sunna’s journey and the seasons She helps to bring.
    2. Cleansing by Reykr
      1. Make a prayer thanking the Fire, a simple one such as “Hail Eldest Ancestor!” or, a more elaborate one like “Hail Sons and Daughters of Muspelheim! Hail Fire Itself! Hail Loki! Hail Glut! Hail Logi! Hail Surt! Hail Sinmora! Hail Firevaettir! Hail Eldest Ancestor! Ves ðu heil!”
      2. Lay down the herb to be burned, in this case Mugwort. Make a prayer of thanks, simple like “Hail Großmutter Una!” or “Thank You for Your gift, Großmutter Una, that cleanses us and brings our prayers to the Gods, Ancestors, and vaettir!”
      3. Light the match, lighter, or strike the flint and steel. Waft the smoke around once, or three time around yourself, any attendants, and the altar and its contents. If there are items you would like the Holy Powers to bless, waft Them through the smoke before doing this so the item comes into the vé cleansed.
  2. Make prayers.
    1. Most of our prayers are fairly short and to the point. We have a Night Prayer we follow, which is a rote prayer my wife and I developed for our many Gods, Ancestors, and vaettir. It serves two purposes, the first being is a unifying prayer of thanks for all the gifts our Holy Powers give us throughout our lives, and it also helps our children to come to know the Gods through at least one attribute that They gift to us, and to be thankful for it. We take this time to give any other prayers, whether thanks to Thor for protecting us in the latest thunderstorm, or to Frigg for peace in our home.
    2. Prayers at the Vé
      1. Following the format of our Night Prayers, you could use the simple formula of “Thank You <Holy Power> for <Blessing/Gift/Function>! Hail <Holy Power!>”, for example “Thank You Freyr and Gerða for the World around us!” Another form of prayer would be to gather at least three heiti for a Holy Power you are close to, have fondness for, or are trying to get to know, and pray in a format like this: “Hail Oðinn, the Inspirer! Hail Alföðr, the All-Father! Hail Rúnatýr, God of the Runes! I seek to know You better!”
  3. Make offerings.
    1. It is not enough for us to only pray. We exist in a flowing relationship with our Holy Powers, receiving and giving good Gebo, gipt fa gipt, or gift for a gift. Given we have several altars we dedicate one day to each group of Holy Powers, the first to our Gods, the next to our Ancestors, and the third to our vaettir. Each God has some kind of vessel in front of Them. Our mainstay offering is water. We also make special offerings, such as whiskey, mead, coffee, or food. If we make a special offering that could spoil before our next round of offerings, we respectfully dispose of it in the sink if it is liquid, giving a prayer to the God it is for and a thanks for Their blessings. If the offering is food or herbs we do not burn at the altar, we place it outside in our sacred grove’s Yggdrasil representation, or wait until a Sacred Fire to burn it. We count food offerings among our special ones because we live on the second floor of a shared home and respectfully disposing of the food offerings as described above once the Holy Powers are done with them is harder to do, especially since most of our offerings are made and disposed of at night.
    2. Making Offerings
      1. As our usual offerings are water, herbs, and on occasion stick incense, I will use these as examples.
    3. For Water Offerings
      1. Since our worldview is polytheist steeped in animism, we recognize the Elements Themselves as part of our Ancestry. In recognizing this we thank the Elements Themselves and the vaettir Who we are offering to the Holy Powers. We might offer a prayer like “Hail Water, Elder Ancestor! Hail Watervaettr! We thank You for the gift of Your body, that we offer to the Holy Powers!” Good offerings to give in turn to Water and the watervaettir would be care for our sources of water, prayers of thanks and recognition of all that these Holy Powers bless. Honoring Water and the watervaettir are other sources of good Gebo in our daily conduct with water, including conserving and care for water sources we rely on and/or come across.
    4. For Burnt Herb and Incense Offerings
      1. Follow the structure above in the Cleansing by Reykr section 1, and in 2, change the language to reflect an offering is being given. Something like “Hail Grandmother Una! Thank You for the gift of Your body in offering to our Holy Powers!” or “Hail Mugwort! Hail to You for being our offering! Holy Powers, we offer this Gebo to You!” or “Hail Holy Powers, we make this offering of Mugwort in gipt fa gipt with You!” When addressing the Holy Powers directly, simply saying “Hail <Holy Power>!” or “This offering is for You, <Holy Power>!” or “I make this offering for You, <Holy Power>!” can be enough.
  4. Divination and Follow Up Work
    1. If divination has been called for, whether due to some accident like dropping an offering or knocking over an idol, divination having been requested earlier, or just a prompting from intuition, we usually do it here after prayers and offerings. Some folks regularly practice divination as part of their daily work in heart cultus. I generally do not, since much of our daily cultus takes place at night not long before I have to go to work and I haven’t gotten the message or intuition to incorporate this. Your needs as a hearth and your ability for/access to divination will be the best guide here.

Maintaining Hearth Cultus

The first step to maintaining a hearth cultus once it has been established is to care for the vé physically and spiritually. Cleaning the space regularly, including the disposal of offerings and changing out cloths, and keeping the icons of the Holy Powers clean promotes mindfulness and reverence for the place it holds in a hearth. The next step is to make prayers, offerings, and to do whatever other daily work needs doing at the hearth regularly.

If the vé is in a fireplace then the cleaning of it serves a practical function in keeping the chimney clear of debris and in good working order. This idea is equally true whether the vé is a fireplace, a mantle, a desk, or even a mini altar-tin.  Since the practical is part of the spiritual work, understanding the hearth and the process of cleaning the hearth from a cosmological standpoint makes the work take on deeper meaning. In setting up the vé you are asking the Gods, Ancestors, and vaettir to help you make an ordered Sacred Space.

The fireplace is no longer just a fireplace; it becomes the hearth, the spiritual heart of the home. The mantle, the desk, the tin is no longer just a mantle, desk, or tin.  In cleaning the vé, the hearth being the micro to the cosmos’ macro, you are helping to bring cleansing and order to this cosmos. It is the where you develop contact with the Holy Powers, worshiping Them and making offerings. As your hearth cultus goes on it may grow or shrink, (or in the case of tins maybe you will make/collect more) and so may the qualities it comes to represent and the meaning the place holds in your home and religious life. No matter your source of Fire for the vé, whatever you put into the Fire or set with It needs to be safely burnt.  Treating the Fire with utmost care is paramount. Every Fire is connected in our understanding, whether the smallest match, the electricity in an LED, or the largest star, and as the hearthfire itself represents Fire Itself, the care each Firevaettr is given should reflect on that relationship.

Whether it is five minutes a day, a half an hour or longer, many times a day, or as we do, cycling prayers and offerings different days of the week, the point here is to maintain a regular practice of devotional work and care for the hearth. Integrating the hearth into one’s life and keep it at the heart may be a struggle for many folks who have never grown up with this. Regular engagement with the hearth physically and spiritually will help this become part of one’s life. Keeping it front and center in one’s home centers the Holy Powers around which the hearth is based, and right along with it, the cosmology and its worldview.

The hearth is one’s cosmos in miniature even if one doesn’t have all the representations of the Holy Powers yet. As I wrote earlier, there was a time when all I had was five salt crystals no bigger than my pinky nail. Now, my family has statues for some Gods and representations for others. Some folks may find they cannot get or afford statues of the Gods. We have statues of Odin, Frigg, Freya, Freyr, and Thor by Paul Borda of Dryad Designs that we bought from different Pagan/Pagan-friendly stores. For Gerða we have a corn dolly with a rake in Her hand we found at a thrift store. Loki, Angrboda, and Sigyn’s representations are a slat of red fox skin for Loki, a badger claw for Sigyn, and wolf fur for Angrboda, each representation gifted to us. Sometimes the Holy Powers are looking for different ways for us to come into Their representations because the representation has something to say or it exposes us to worshiping Them in a new way. Sometimes a representation is what we happen to have at the time; during Many Gods West I had to leave a lot of representations and spiritual tools at home and ended up printing off pictures of the Gods for the event altar and my own.  At the end of the day, use what works to connect your hearth with the Gods.

If one’s hearth cultus is mainly in the kitchen your relationship with the cultus may change, and the Holy Powers one worships there, calls to first, or maintains the boundaries during prayer, offerings, and ritual. One might start a ritual in the fireplace by first calling on the Gods of Fire and then Gods of the Hearth, Hearthkeeping, and/or the Home. A ritual in a hearth’s vé located in the kitchen may do it the other way around, first calling on Gods of the Home and then Fire Gods, as the set up and priorities for the hearth may differ from a fireplace’s hearth.  One’s way of offering might change from Fire being the primary element into which offerings are made to Water.  One’s focus of the hearth cultus might be on the Wells rather than Fire, since the main tools one practically uses in this space shifts from containing and maintaining Fire centrally to containing and maintaining Water.  It does not mean that Fire’s importance is lost, only that the focus of the hearth cultus shifts.

For our family, our relationships with the Gods of family, social order come ahead of Fire given we generally do not work with Fire as much in our daily rites.  We involve Fire when we light candles, turn on the light for night prayers, or sit down to a meal, but the centrality that would be there were our vé on a hearthfire or on a mantle is not present.  Something that was suggested to me by my dear friend and Brother, Jim, is that since the namesake of our Kindred comes from Mimir and the Well of Wisdom, and that so many of our offerings and work involve water and water-based offerings, that while Fire Itself is still recognized as the First Ancestor, that Water, the Well, and honoring Mimir takes priority.  Our family is still working this out with our Holy Powers.

Understanding the role of Fire as central to the hearth does not change, nor does it shift the cosmological importance of Fire.  Without Fire we do not see, our altars are not illuminated, our food goes uncooked, our reykr cannot smoke.  What does change is how we relate to these Holy Powers and how these relationships unfold in our vé.  The cosmogenic unfolding from Fire and Ice meeting still is a powerful source of understanding, one that informs how the Waters that are more central to our familial hearth come about.  The Gods of our home will still be central to our hearth cultus even if Mimir and the Well of Wisdom are honored ahead of Them.  The fixed points of cosmogeny and cosmology do not change, only our points of relating to Them and the place they hold in our rites with the Holy Powers.

Differentiating Hearth Cultus Rites from Other Rites

What differentiates hearth cultus rites from many other polytheist and Pagan rituals is the general lack of altered states of consciousness and its focus on devotional worship and reverence. There is no ulterior goal or motive in daily hearth cultus. You’re worshiping and revering the Gods, Ancestors, and vaettir of your hearth. That is its goal and its focus.

When I was doing the #30DaysofMagick challenges I set the times I did my work with the Runes apart from my hearth cultus work. Not only did this keep my focus on the rites at hand, it also kept my family’s focus since we do hearth ritual as a family and I am the only one among us that does Runework. In keeping the rites separate I kept the kind of ritual focus needed for good hearth cultus in its place, and Rune work in its own. I do have a daily devotional rite I do with Runatyr and the Runevaettir, but again, that is separate from my hearth cultus because that is personal cultus and work I hold with Runatyr and the Runevaettir. Because neither my wife nor our children have initiated into doing Runework that buffer also protects them from collecting obligation or entanglement with Them beyond my family’s already existing ties.

I differentiate hearth cultus from other rites in the use of altered states since, broadly speaking, the focus of the rites which use altered states are generally to another end beyond devotion, worship, offering, and prayer. Altered states like deep trance work tend to operate as uncontrolled liminal spaces even if they are guided. Unlike a hearth rite, in which there are very clear steps, a focus, and end steps in a methodical way, once one enters into even an altered state, let alone contact with a Holy Power in an altered state, the directions one can go with it are many. There may be spiritual work one needs to do, initiation work to prepare for, or, the raw and intense experience of just being in a Holy Power’s Presence among the possibilities.

Gathering Around the Hearth

Hearth cultus can be engaged in by anyone regardless of aptitude for altered states, magical work, initiation, or experience. Its focus, steps, goals, and means to achieve them are clear and accessible to everyone. Many other rites require some kind of ongoing study and/or engagement with Holy Powers and spiritual forces, such as one’s hamr or önd. Some rites will require initiation and others will require exclusive focus on a goal other than worship or reverence.

The heart of polytheism is in hearth cultus. Through hearth cultus we come to worship, pray to, offer to, and know our Gods, Ancestors, and spirits. Keeping hearth cultus accessible to everyone keeps our religions, traditions, and communities alive, vibrant, and engaged. Through hearth cultus anyone can begin, continue, and deepen relationships with the Holy Powers. We bring our traditions from the maps of lore, linguistics, and archaeology into the lived experience of worship, reverence, and engagement. Our worldview is lived through hearth cultus. Through it, our relationships with the Holy Powers is strengthened and enlivened individually and communally. With hearth cultus our religions are not mere abstractions, a collection of holidays or ideas. Through hearth cultus we pass on these ways of life to each generation. With hearth cultus being at the heart of our cultures and our religions, they are part of our lives, immanent for each of us and connective between us. Here, in each of our hearths, our ways of life are made and lived in good relationships with the Holy Powers and ourselves.

Around the Grandfather Fire

September 11, 2018 1 comment

Around the Grandfather Fire is a podcast that James Stovall and I host that explores topics ranging from shamanism to animism, polytheism to interests we hold outside of them but relevant to our spiritual interests and lives.

So far we have four shows done with more to come. Because we are no longer limited by air time or topic we can dig into the meat of different ideas, issues, and views we discuss. It also gives us more time to really get into good conversation with our guests.

Around three years ago we were co-hosts on a podcast and live internet radio show called The Jaguar and the Owl. The format was restricted more or less to shamanism and related fields in we only had an hour in which to record and did it live for most of the last two years of our broadcasting. It was a good time. Over time, between the restrictions of time to record, the demands of life increasing, and the format itself becoming hard to work shows into, we eventually had to let go of the show. Since things have come back together and the fire was lit for us to sit around, Jim and I came back together and made the new podcast.

Around the Grandfather Fire allows us to expand our content in both time and depth, something we had talked about wistfully at varying times on our older show. The app we use also allows us to interact with our listeners and guests. With the Anchor app we are hosting the content on listeners can send us voice messages that we can then integrate into the show.

So, if you have thoughts you want to share with us or you want us to explore, questions you want to ask, or guests you want us to interview, use the Anchor app, or email Jim at James at thewanderingowl.com or I at my email Sarenth at gmail.com.

Places to find Around the Grandfather Fire:

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We can also be found on iTunes, Podcast Addict, and, of course, the Anchor app.

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